Review of Carnet d’AmeriKa

Posted on November 21, 2016 by John Biscello

“To be human is to transform; to be human is to name, then name anew. I must remember the inseparable nature of word and action.” Erin Currier, 6 November, 2004

In a sense this passage became one of Erin Currier’s self-fulfilling mantras, its ethos guiding the trajectory of her life and art. As an insatiable seeker, with the ambulatory zeal of a flâneur, Currier has literally “walked the walk” in collecting trash from different countries around the world. Her epic scavenger hunt, keyed to alchemy and renewal, has given rise to a dynamic body of artwork which continues to grow and attract followers and collectors worldwide.

To read the full review, appearing in the inaugural issue of Riot Material, click here.

About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.

View all posts by John Biscello →

This entry was posted in Artwork, Press, Prose, Uncategorized and tagged Erin Currier, John Biscello, journal, Latin America, Literary, magazine, political, riot material, socio-political. Bookmark the permalink.