Two Events

Upcoming events for The Last Furies on the Left Coast:

* Reverie Bookstand (1519 W. Sunset Boulevard, Los Angeles), January 17th at 7pm
* Lucky 13 Gallery (391 Coronado Avenue, Long Beach), 2pm

I will be reading excerpts from the novel, copies will be available for purchase and signing, and I will be joined by the cover artist of the Furies, Heather Ross, who will be exhibiting her artwork, and joining me for freeform interactive discussions about the world of literature, art and the crossroads at which they meet and mate and make friends with other creative elements and soul-feed.

Posted in Artwork, Audio, Books, Cinema, photography, Poetry, Press, Prose, Publications, Theater, Uncategorized, Video | Tagged , , , , , , , , , , , , , , | Leave a comment

Bela Tarr

A nod and farewell to master Hungarian auteur, Bela Tarr (July 21st 1955 to January 6th 2026) who brought the barbiturate art of “slow cinema” to a whole other level of gravity and existential molasses. His seven-and-a-half hour magnum opus Satantango is a textural tapestry of meditatively long takes, gallows humor, moral dubiousness and desperation implicating an all-too-human cast of characters, and an uncompromising invitation into a somnambulistic realm of folly, futility and grace. And his filming of rain and mud were like eloquent tributes to the weather gods themselves. Tarr, with iconoclastic vision and singularity, extended the language of cinema and broadened the context of what it means to witness and immerse oneself in film as guest and audience.

Posted in Cinema, photography, Poetry, Press, Prose | Tagged , , , , , , | Leave a comment

After Hours

   Lenny Bruce, seated on a rickety stool, cigarette dangling from his lips, slumping forward, shoulders slack. His mouth puckers, jumping his cigarette to attention, as he draws in fiercely, then exhales a series of bluish halos that float and dissolve. Time on his hands, balled into leaden fists, the gravity shackles of lost hours—Bruce had gotten good at blowing perfectly formed halos. That he perceives them as halos and not rings says something.

   Cinderblock walls and a stone floor slowbreathing bonechew cold.

   Who put me here used to torment Bruce, but not anymore. Now it is the negotiation of smoke and halos, unreflected.

   A sudden rush of air from the far upper corner of the room.

   What the fuck—

   Bruce saw a pigeon, a Surrealist gag of a pigeon—its snub beak fitted sideways, tiny red eyes misaligned, mangy iridescent feathers, body plumped to the point of near-busting, tri-pronged feet of pale pink banded in thick ropey veins. The pigeon flapped its wings wildly, yet remained in the corner, as if magnetized there. Bruce, less impressed that a pigeon had appeared out of nowhere than he was grateful for fugitive motion, watched the bird struggle in its invisible cage. Eventually the pigeon worked its way free from the corner, its frenzy slowed to a seductive blur, and it descended toward Bruce.

   In a trance, Bruce zeroed in on the white slip of paper wound tightly around the pigeon’s left foot. Bruce raised his hand, pinching the paper between thumb and forefinger, and slid it down and off the pigeon’s foot. The pigeon continued its bobbing levitation, as Bruce unrolled the paper and read what was written on it:

   Dear Leonard Alfred Schneider,

   …………………

   When he was done reading, he flicked his cigarette to the floor, and cursed loudly.

   Several seconds later, the pigeon exploded. An airtight pop followed by a whirling siege of feathers. Feathers got into Bruce’s hair, his eyes, grazed his lips and cheeks and chin.

   What a stupid fucking pigeon, Bruce deadpanned, and brushed feathers from his hair and face. Then he unleashed a stream of expletives, the barbed invective of a man haunted by a man visited by a godforsaken pigeon delivering a message which informed him that he had been pardoned from obscenity charges, thirty-nine years after his death, by the governor of New York, the first posthumous pardon in the state’s history.

   Bruce lit another cigarette, inhaled with a vengeance, considered smashing his fists against cinderblock, but instead decided to do what he hadn’t done in a long time: deliver a stand-up bit. His response to the pardon, tit for tat, halos be damned.

   Just so the fuckers knew, dead or not, Lenny Bruce had something left to say.

Posted in Poetry, Prose | Tagged , , , , , , , , , , , | Leave a comment

A Brief History of Love

Here, her mother said, pressing something into her palm.

   A phantom tack. A concentrated pinch. Something sharp breaking skin and spreading heat.

   She looked down. Her palm now tattooed with a tangle of dark glyphs, a concert of spirals, curlicues and arabesques. The glyphs pulsated, a beating that nearly set them in relief against the skin.

   She raised her eyes and asked—Mother, what have you given me?

   Mother held daughter’s gaze, as she responded—I gave you my history. It’s a small thing but I wanted to pass it onto you. Pass it into you.

   The daughter stared at the secret alphabet monopolizing her palm, and tried to imagine how much history her hand now held. A future recalled, a past foretold.

   She closed her fingers, screening history, and opened them, a revelation. Again and again—opening, closing, hiding, revealing, keeping time to wounds. The rapid fanning of joy and sorrow made her dizzy.

   Are you okay, her mother asked, brushing strands of hair away from her face.

   Yes, I am. Thank you. Thank you for this gift. Are you…

   The daughter’s throat seized up. She stared down at her remade hand.

   The mother nodded and kissed her daughter’s forehead, a cool imprint of lips, a fugitive echo, before she faded, a trick of the light expired.

   The daughter dug glassy nails into her palm, testing the reality of the history she had inherited, and as the pinch, sprouting thorns, moved from her palm to her hand, she recalled vividly how the water had risen so quickly, and how the dark, intrepid and weightless, had risen with it.

Posted in Poetry, Prose | Tagged , , , , , , , | Leave a comment

Zuzu’s Petals

A father’s pocket,
containing secret petals—
the meaning of love.

Posted in Artwork, Cinema, photography, Poetry, Prose | Tagged , , , , , , , , | Leave a comment

Hymn

We are here, but briefly,
shadows of candle-light
dancing between dust and choir,
day and night,
so consider today
a good day
to begin, or to continue
unwrapping yourself,
and giving you to you as a gift,
your soul rightfully tagged
as both receiver and sender,
in what constitutes
a wild embracing and radical fusion
of the old and the new, in that place
where wonder meets faith,
and the fragile birds of gospel
sing sweetly and achingly
of hearts broken open
to pour light,
to inherit the tenderest
of lost and lasting claims.

Posted in Artwork, Cinema, photography, Poetry, Prose, Uncategorized | Tagged , , , , , , , , , | Leave a comment

What We Talk About When We Talk About Time

1.

   The hem of her dress had caught his eye.

   Yours was an eye waiting to be caught, she’d say, later, much later, a drizzle of girlishness in her voice.

   The dress was a form-fitting red dress and the hem was fringed. He also noticed her throat, how it was white and bare and asking. But he only noticed her throat in relation to the hem of her dress. He would not have seen the throat otherwise. Later, much later, he would tell her how the fringed hem had produced soft strange visions.

   Strange how, she inquired, but he couldn’t say strange how, not because he didn’t want to say, he just couldn’t say. His grotto of silence caused her to throw her head back and laugh, exposing the taut symmetry of her throat. Lovely as it was, it did not inspire visions, and for a long time afterwards he’d wonder why.

2.

   It was his friend Mitch who had invited him to the party. Mitch was always inviting him to parties. Mitch seemed to know where and when all the parties in town were taking place. There’s going to be a great party on Saturday night at so-and-so’s. Great emphasized with zip and crackle. Or: There’s going to be a party on Tuesday night at so-and-so’s. It could be good. Hopefulness flagged by doubt. Sometimes it would be like that. His response was pretty much always the same: Sounds like fun.

3.

   He had found his corner, his niche, and staked himself there, half his body turned toward the wall. Around him the crowd, the fractious winged patter, generating circles within circles. He grew dizzy, listening. And watching. None of it seemed to have anything to do with him. He couldn’t locate himself, spatially or otherwise, until the fringed hem of the red dress appeared as revelation cutting through soporific haze. He could suddenly place himself within the context of his surroundings, and his unfulfilled impulse, he would remember later, much later, was to touch the hem, or tug on it, if she would have been closer.

   If I would have been closer, she reminded him, and lightly grazed the back of his hand.

4.

 When he awoke he saw Mitch’s face looming above him, a distorted satellite with liquid eyes. At first he felt nothing, and then he felt cold and nauseous when Mitch helped him to his feet. The room righted itself. He thought he would throw up but didn’t.

   What happened, he asked Mitch.

   What happened is I don’t know what happened. One minute I see you standing in the corner, the next minute you’re on the floor.

   Mitch grinned, clapping his shoulder.

   Too much to drink?

   I haven’t been drinking, he said, and realized his lips were bone-dry. Then he remembered. And scanned the room.

   Where is she?

   Where is who?

   The woman in the red dress.

5.

   When he gets home, he goes into the bathroom, opens the medicine cabinet, takes out a bottle of Tylenol, taps two into his palm, chucks them to the back of his throat, turns on the faucet which runs cold water into his cupped palm, washes the Tylenol down. Pink and black has settled over the puffy bags under his eyes. He tilts his heads back to examine his throat, noting the sinewy curves, which his index finger then traces, producing a shiver. He squints inwardly, thinking about the party he had been to earlier, much earlier, and what if he hadn’t gone? He looks into the mirror one more time, then turns off the bathroom light, and goes to bed wondering what it would have been like if he had not been at the party.

6.

   In exactly fourteen days, his friend Mitch will call him up and say—There’s going to be a fucking great party this Saturday at so-and-so’s. Fucking great would be laced with zip and crackle. He would respond—Sounds like fun.

   At that party, on that Saturday, he would see the fringed hem of a red dress come to him from across the room. For a long while he would remain perfectly still, afraid that any sudden movement would destroy everything, and eventually he drifted in the direction of the woman in the red dress, and her voice, like a white-ringed wave, broke over him in foamy recognition—You seem … do I know you?

   And later, much later, he would tell her the story about a story in which two people meet, again, the first time, returning.

Posted in Poetry, Prose, Uncategorized | Tagged , , , , , , , , , | Leave a comment

Way Station

   I am waiting. There I am, see me, waiting on the train station platform. I am waiting for my train. It is a specific train that I am waiting for. When a train begins pulling into the station, I grow excited, I think—This is it, this is going to be my train, I can finally board. Then I see that it is not my train. I am disappointed. Oh, well, the next train. Or the one after that. It has to come eventually.

   I want you to understand that it is essential that I get on the right train. The wrong train won’t do me any good. It would just be riding for riding’s sake. Motion for motion’s sake. No, I must exercise deep patience. I must abide and wait. Because when my train comes, and I get on board … what then? I will somehow be transfigured. Changed. I will be transported to the new and altogether marvelous. I will become known to myself in a new and different way. Yet there is only one train that can get me there, only one train that can conduct that metamorphosis, and so I wait. Sometimes I doubt. Why hasn’t my train come? It’s been so long. But has it? Perhaps it just feels that long. Relativity and all that jazz. Yet there has been so many other trains, trains which have cycled and recycled through this station, and my train … never, not once. What if I am waiting on the wrong platform? What if this is the wrong station? The wrong state? The wrong country? What if I need to switch realities altogether? These speculations weigh on my mind and induce anxiety. Because they all point to the same menacing conclusion: What if I never get on my train? A train that never arrives is impossible to board, right?

   No matter the answer, I continue to wait. I have trained myself to wait. Am I full of faith? Am I deluded? Is my confession of doubt proof of my delusion? Am I too stubborn and set in my ways that I am missing the opportunities that these other trains present to me? These trains pull in and out of the station, one after another, collecting passengers who, seemingly without reluctance or hesitation, board the trains and are whisked away. Yet despite the continued demonstrations of ease with which the passengers board these trains, I cannot do it. Something stops me. These trains are not my train. But what is my train? Does it even exist? Did I invent it?

   I continue to wait. Patiently and impatiently all at once. Burning inside. That is me, there, in the overcoat and fedora, suitcase in hand, waiting. I am somewhat recognizable to myself as a shadowy figure, an apparition, a totemic stand-in, someone who bears great psychic resemblance to me, someone who is waiting for a train that is running behind, or perhaps, perhaps I am ahead, too far ahead, and the train schedule does not accommodate the prophetic gist of dreamers on platforms.

Posted in Poetry, Prose, Uncategorized | Tagged , , , , , , , , , | Leave a comment

Event Horizon

Two upcoming events in Los Angeles for The Last Furies. The weekend literary mini-tour will include:

Sat., January 17th at 7pm at Reverie Bookstand (1519 W. Sunset Blvd)

Sun., January 18th at 2pm at Lucky 13 Micro-Gallery (391 Coronado Ave., Long Beach)

Both events will comprise a reading/book-signing (copies of the Furies will be available for purchase), and the cover artist of the novel, Heather Ross, will be exhibiting her work and joining me for salon-style discussions on storytelling, visual art, and the innovative spirit of indie creation.

If you’re in the L.A. area, come on down and join us for the celebration!

Posted in Artwork, Audio, Books, Cinema, photography, Poetry, Press, Prose, Publications, Theater, Uncategorized, Video | Tagged , , , , , , , , , , , , , , | Leave a comment

Matroyshka

   He often reflected, while writing, upon himself, writing: reflecting another. Who he was, who he was not. Absence and presence locked in intimate simultaneity, a cogent pairing. Who is this Other, writing? And does he reflect upon me? Why do I perceive him as if through a thin rippling sheet of plasma—he appears to me as a soluble phantom with whom I have nothing in common, yet to whom I feel ultimately bonded.

   I feel as if: I am writing, therefore the Writer, and the presence of the Other, let’s say above me and off to the left (to constellate a fixed point of orientation), affirms this notion by stating—He is the Writer, writing … which, instead of validating my existence, strikes a contrary note: he is the Writer, not me, he, this thing. And if I cast these words at Him, nothing, not a word, and the length and girth of silence stuns me into understanding: If not written, He would not exist.

   So who the hell is writing, who is responsible for creation, His and the pages? Also, how could he be writing and see Himself, not Himself, writing Himself, the written, and reflect upon it in such a way. Something happening, something not happening. Something there, something not there. A person referring to a person, yet no one is being referred to—there is no one to do the referring.

   And so these words, from where do they come? Thin air? The interstices between being and not-being? Are these the words of the dead, the words of the unborn, the words of the dreamed, the undreamed?

  A portrait of a writer sitting at his desk, pen in hand, suspended between air and contact with the page, and he is being watched, therefore defined, in a narrative by the watcher (who is also the voice). In other words: A writer, sitting at his desk, pen in hand, suspended between air and contact with the page, and he starts to write—A writer, sitting at his desk, pen in hand, suspended between air and contact with the page … and the story will end, as it begins.

Posted in Poetry, Prose | Tagged , , , , , , , , | Leave a comment