Sanctum

In fables of solitude and memory

I have grieved softly,

sounding outlets through many courses

and channels carved.

Every escape the way back in

barred.

In other words

don’t confuse leaving with exits.

In this room,

a single-sourced cell and hive,

and cause to the effects

of mania and buzz,

an unlikely us was formed.

There is an aching at the heart of this.

A deep fissure widening ever inward.

Little sound, no fury.

Only the watery murmurs

and diminished echoes

of a room,

eseentially empathic,

tuning to a dialogue

between you

and who exactly?

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Burlesque

Memory

as defiant neverland

where cryogeny is the norm

and no one ever grows up

only inward.

We bore into ourselves,

effects to the cause

of a rebellious tease

to be stripped.

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Cos and Effect

In the gauzy rectum

of Memory,

perpetrating cosplay

in darkened rooms,

you encounter, in rounded turns,

a shadowed cast of masked strangers

and fools,

aligned to moving distances

closer,

and through which rare intimacy

is bred to conspire

and seduce.

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Reel

Memory,

eulogies birthed

in reverse,

seance syncing soundly

the cinema of ghosts

with real-time revivals

rounding to fade.

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Meshes of Twilight

She, as in ghosts,

as in white-hot incubi

with a seductive glassy

not there stare

that bewitches and allures,

bearing melancholy freighted

with scraped knees, mirror shards,

and broken nails caked and curlicued in dirt.

Locked in liminal groove,

she seems to be

modeling a departure in frieze,

seems to be subtextually grave

in her long sepulchral silences

and arias disembodied

with no middle ground

of which to speak.

She has seen through me.

Cleanly and clinically harpooning

chunks of interior

like pulpy grapefruit speared

by a serrated spoon–

I am at the mercy of this makeover

and time travel hearse,

taken way way back

to the elegy of small hours

unspoken

and hidden worlds

unheard of.

She, as in garden and allergy,

spreading virulent chills and rash.

It was disaster,

and flirting with disaster,

and skirting disaster all in one.

I was in love.

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Bartleby’s Plight

Memory

as in missives recorded later,

or returned in time to a sender

who is much older now,

much younger,

dead.

It is case for the head

of Bartleby,

preferring not,

yet continuing to show up

for the sake of appearance

to haunt.

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Real Estate

There’s something

wonderfully laughable

and bluntly paranthetical

about the ghosts that enclose

and become us

as if we were squatters

on vacation in fallout shelters

where rent is permanently waived

to make room for a speculative future

of sustainable haunting.

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Cartography

Memory

as grayscale motive

for cinematic dismemberment.

Fractures and fragments

insinuating a morphic whole,

we puzzle together

the anti-matter

and immaterial aspects

of our lives

in secret rooms barred

to the world at large.

In these rooms,

playing Frankenstein to the basement

of our desires,

we chart and illustrate maps,

cautioning, when necessary–

here there be monsters.

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Garden

Memory

as night-flowers

blooming jade and jasmine

in fields of intuition.

Old folks bend over backwards

to become children again

listening to the honeyed

sepia fragrance wafting northward,

restoring calm and grace, briefly,

to lives tasted in half-tones

and measureless ebb.

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Room

Memory

as eulogies in reverse.

You tell yourself a story,

same as you tell yourself a memory–

the supplest rites

of cosplay and seance

conducted, first person,

in a room of one’s own

naming.

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