Birth of a Prologue

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   They say you can’t go home again. I don’t know who “they” are, but apparently this mysterious phantom collective is well-stocked in facts, aphorisms and guidelines.
   I was going home again, to Brooklyn, though the notion of return, and what it implied, was a matter of existential semantics.
   There’s another saying: “When you leave Brooklyn, you ain’t going anywhere.”
   That has held true for me throughout the years.
   No matter where I’ve gone, where I’ve lived, Brooklyn has always been there with me—a trusty vaudeville sidekick, or mutable beast scavenging in my gut.
   Brooklyn, as a phantom city that inhabits me, is immune to erosion, and neither time nor geographical distance can part us. Which is why “they” had it wrong. You can go home again. And again, and again, and again. The journey is but a trick of light, and memory; a recursive free-fall into spools of footage. Or to put it another way: It’s the rehearsal for a show that stopped running a long time ago.
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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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