Catholic School Girls

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The Catholic school girls.
With their short plaid skirts and white collared shirts and the inviting exposure between where the skirt cut off and the sock began, generating an erotic glare of exposed flesh.
In their uniforms the Catholic school girls felt like a superior breed, they were of higher stock and quality. I think we needed to see them that way, that if they represented cleanness and purity to our degeneracy and vileness, that meant they could serve as powerful forces, magical and otherwordly, beyond or above the shit of our neighborhood, and restore us to the greater parts of ourselves, the higher parts. They could restore us to us.
In this respect they were indispensable.
At the same time, on some level, we hated them for exactly the same reasons.
We needed to tear them down, make them pay for indiscretions they had never committed, trespasses they had never enacted. They could purify us, they could damn us.
On a most fundamental level, we were scared of them, or perhaps scared of how much we needed them.
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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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