Darking Anya

   Remember when we were kids and we’d sometimes have sleepovers and listen to the dark together? That’s what you called it, Anya, listening to the dark. Sometimes we’d pretend to be camping. We’d make a tent on my bedroom floor and we’d look up at the glow-in-the-dark stars on my ceiling, and the planets and meteors too. The stars were yellow and the meteors were red and the planets were all different colors. And you’d say let’s be quiet and listen to the dark and we’d listen for a little while but you could never keep quiet for long and you’d start asking me questions like what did the dark sound like to me and what was I thinking about when I was listening to the dark and I’d tell you whatever it was I was thinking but my favorite part were those intervals of silence when we were not only listening to the dark but also breathing it and perhaps dreaming it. At least that’s how it felt to me.
And it was because of you Anya that I started naming different types of dark, listing them.
Warm-dark, cave-dark, void-dark, womb-dark, sleep-dark, Eros-dark, blank-dark, siege-dark. And then there’s that anonymous dark that gets inside your head and behind your eyes and in your lungs and constricts your breathing. There is also curse-dark, which casts a prolonged spell, a pall. And then there’s lonely, but naming it doesn’t help. Not in the same way.
Now that you’re gone Anya and I’m still talking to you I wonder what kind of dark this is.  Communion-dark, veil-dark?
We used to listen to the dark together as kids and now I talk to the dark with hopes of hearing your voice again. Echo-dark. Or better yet, Anya-dark. An entire category of dark devoted exclusively to you. How do you feel about that?
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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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