Borscht and Seashells

Today I had lunch at Boris and Vera’s. Vera made Borscht. She remembered how I used to love to come down and eat Borscht. It always felt exotic to me. Anya hated Borscht. Which is why Vera appreciated my appreciation of it. Boris was there. And Emily. Boris’s hangdog face now hung in loose, ashen folds. When he talked to Vera his tone was snippy, jangled. When he talked to Emily he was playful. He kidded her a lot. When he was silent his moroseness assumed volume. After lunch Emily took me into her room and showed me her toys. She asked me if her mother had a lot of toys when she was little. I told her she had a pretty good amount. More than me, she asked. About the same, I said. Emily nodded. That was the only time she mentioned her mother. Emily showed me her seashell collection. She kept them in shoeboxes that she had painted blue. She took out a conch shell and handed it to me. If you put it against your ear you can hear the ocean, she said. I pressed the shell against my ear. And heard the ocean. Do you hear it, Emily asked. I hear it, I told her. Then I handed the shell back to Emily who pressed it against her hear and marveled, I can hear the ocean.
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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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