Slant

Emily Dickinson advised that we “tell it slant.” This makes sense. Telling it slant is a natural outgrowth of living it slant. Oblique paths and slanted paths dominate my sense of inner geography. Dylan Thomas wrote: “The memories of childhood have no order, and no end.” How true! Memories come to us as the sharpened jigsaw pieces of an amorphous puzzle. How we piece it together, why we piece it together, who we are when piecing it together, what we choose to place where, and when—the puzzle is a prism, a panoply of Rorschach symbols, an enigma with endless variations and configurations.
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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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