Anya in the Forest

   In the dream my mother and me are sitting in the lobby of a restaurant. We are waiting to be seated for dinner.
   The hostess comes up to me and asks me if I am ­­­ ________. I say yes.
   She tells me I have a phone call, would I please follow her.
   I follow her to the hostess station, where she hands me a black phone. It is an old-fashioned phone, replete with a cord. I speak into the receiver—Hello?
   The voice on the other end of the line is Anya’s. She says that I need to find her, please.
   I ask her where she is. She says she doesn’t know. I ask her what is around her. She pauses, then says—I’m in a forest. With lots of tall trees. And it’s starting to get dark. And someone told me that it wasn’t safe to be in the forest once it got dark. That if I was in the forest and it was dark I might get lost for a long time, or forever.
   Anya’s talk of being lost forever scared me.
   Anya, where were you right before you entered the forest, what was around you? I need some kind of clue, some point of reference to help me find you.
   She says she can’t remember. Then she repeats, Find me, and hangs up. Or is disconnected.
   I set the phone down on its cradle. The hostess looks at me and smiles. I smile back. And return to the lobby.
   My mother asks me who it was that called me.
   I lie and say that it was a wrong number, someone looking for another _______.
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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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