The Bride

It is always exciting to provide an update when a project is nearing completion. We are putting the finishing post-production touches on our short film, THE BRIDE, and look forward to the next phase of birthing it into the world and onto screens. Just over a year ago, what started as an exploratory conversation between myself and Alexandria-based writer, poet and cinefile, Jaylan Salman, with Jaylan presenting a story concept that she envisioned materializing into a film (based on a poem she had written), and how that aired and shared concept grew and morphed and took on a cinemagical life of its own, fusing a magnetic core of talents and kinship.

Stay tuned for further updates.

THE BRIDE
In the shadowy, cryptic and solitary world of THE BRIDE, a woman, garbed in a wedding dress and veil, directly engages the mirror and “seeing-eye” of the camera, as she confronts codified rituals and internal pressures—rooted in family, conventions and societal expectations—while undergoing a stark and dramatic metamorphosis.

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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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