Outlaw Country

“Outlaw Country,” an excerpt from my novel, None So Distant, published in Spare Parts Literary Magazine as part of their From the Desk series:

Reports of fringy lore on lost highways. Point-counterpoint in a twangy battle of wills. Stay tuned.

       I am not going anywhere. There is nowhere to go. Someone took a picture of me, once, whenever, just like this—A girl standing on the highway, packed suitcase, waiting, hoping, or, not waiting, not hoping … pictures lie in ten thousand different ways.

       In that scene, I will always be there, here, the side of the highway, and every person that lays eyes on me will superimpose a story, I am imagination’s text and frozen asset, I am the photo that makes you want to believe in eternity as an irregular verb.

       I am not going anywhere, yet if you are not going anywhere eternally, is that the trip? Is that the action? The motion? The odyssey? Eternity, even as an irregular verb, is subject to context.

Read full piece here.
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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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