Author Archives: John Biscello

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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.

Here Lies Everything

Oh, those crazy Muses, existing well beyond the borders of logic and reason, their joyful disquiet relative to the epic savvy and hunger of dwarf stars, and harmonies sounded to mine the lyrical lore of what lies buried and forgotten … Continue reading

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Ghost Story

The turn of the screw, set her ghost to shivering– The blues became her.   (Artwork by Linda Stojak)

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Last Dance

Forever had plans, to waltz in a white ballroom– Somewhere, a wrong turn.   (Artwork by Linda Stojak)

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Who Was She?

In purgatory, the last of the debutantes, adrift, as if dreamed.   (Artwork by Linda Stojak)

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Thickening Plot

The lessons were simple– Never take a bath in fast-drying cement, and never love a man who won’t do your back when everything hardens quickly.   (Photo by Heather Ross)

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Bathwater Blues

I held out my hands, when you asked me to come clean– Sorry for the mess.   (Photo by Heather Ross)

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Perspective

To err, is human; to trust in the light, sublime– Breathing room required.   (Images by Heather Ross)

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Vines

No one said a word, but the house knows the story– The doors remain locked.   (Photo by Heather Ross)    

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Holding Pattern

Even now, it’s vague, how an image claims absence– Looking back, I freeze.   (Photo by Heather Ross)    

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Chet Baker

The fastest road to heaven is also the slowest and most deeply felt– through a glinting horn, paradox waxes and wanes, to give cherish its moving line on grace.

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