Author Archives: John Biscello

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About John Biscello

Originally from Brooklyn, NY, novelist, poet, performer, playwright and filmmaker, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of six novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, No Man’s Brooklyn, The Last Furies, and No One Dreams in Color; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His plays have been staged and performed both nationally and internationally.

Screen Test

If cinema is a tomb, then let us die watching. The angel over my shoulder is hunched, opaque, morphing. None of us ever leave behind the darkened theater. We are here, always. Sanctuary, haven, enclave, respite, sitting tight and homey … Continue reading →

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Genre-Bending

Historyless is where I come from, the sun-crotched navel, the part of me not yet born, the part of me dead to the world on its way to being born into the potholes and foothills of unimagined fictions. Fiction or … Continue reading →

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Chelsea Hotel #3

We Are Ugly But We Have the Music. This is our title, our collective moniker, our flagless flag, denominating no allegiances, no cultural attachments, no geo-political persuasions. None of that. We dwell underground, or to be more accurate, the underground … Continue reading →

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Titanic

If there were two, then let us say there were two. The two danced on the time-haunted deck of the Titanic, they called it the Titanic because they understood the floor beneath their feet was not to be trusted, nor … Continue reading →

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Pandora

I won’t call this a book because no one reads books anymore, no one gives two shits and a dime about books. I’ll call this an exalted and long overdue mania, a catalytic inversion, a freebase purge. Whatever, whatever. Voyeurs … Continue reading →

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Monkeys and Barrels

   None of it was going anywhere. It had been a while. Both things were true. Both could be beginnings. So let’s go with both: None of it was going anywhere. It had been a while. I felt like a … Continue reading →

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Sure Shot

Out here/in here cradling the air. Hugging its hot pissy whatever. Something to hold onto something to grasp. This is maintenance at its most base level. If I let go I will be scooped up again, a helpless dollop in … Continue reading →

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Swimming Lessons

My mother’s face. The bladed cheekbones, the dancer’s neck, the crowded eyes. What about the rest of her? My mother carried within herself gothic mass, sclerotic and stillborn, the dead child of motherless. Motherless lived inside my mother, beside her. … Continue reading →

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To No End

I had a decision to make. The world was ending, again. It had ended several times before. To be more accurate: many worlds had ended many times. Anyway, on one hand, there was the imminent end of the world, a … Continue reading →

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Accompanying Tune

In this mutable and concave room, this purveyor of nimbus and cradle, shapeshifting occurs at a phenomenal rate. The room alters its dimensions, and I in turn am altered. It is reciprocal harmony and symbiotic intimacy. The room is significantly … Continue reading →

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