As Modeled by Bjork

Bjork
Hands, the conduits
through which dignity raptures
the movement of prayers.
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The Passion of Joan

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Enlightened, perhaps. God-engorged hormones, maybe. Regardless of why, Joan, you were the rebel prototype
long before James Dean zipped up a red jacket,
or Marlon Brando mumbled and curled his upper lip into a totem,
before Louise Brooks and Josephine Baker and Mae West scorched bits of screen and earth and tore hearts to shreds with a flickering edge.
You, Joan, were the world’s most famous, cross-dressing heretic,
the It-girl of alleged sorcery,
a rebel very much aligned with a cause,
coursing a waxwork future and belated sainthood.
It was in your father’s garden, age thirteen, when you first heard the voices, saw the visions.
St. Michael, St. Katherine, and St. Margaret, a trinity of Beauty unbearable that brought tears to your eyes.
But they didn’t come to serve as spiritual eye-candy, or to bring you otherworldly comfort. They were delegates, delivering a message direct from the Man Upstairs, a command which, to any less a mystic, might have fallen on deaf ears, a task that would have registered as preposterous or impossible, but not for you Joan: faith was your stock-in-trade.
So you listened, took it in, an illiterate, thirteen-year-old peasant girl on the cusp of puberty, being told that it was her duty and obligation to help lead France to victory over the English, to fulfill a destiny that had been part of France’s prophetic pipeline for generations: a virgin will come, a miracle-worker, and she will restore France to its former glory.
You would have been happy to stay at home spinning wool with your mother, tending to the animals, gazing dreamily upon the milk-bearded faces of clouds, to pass your time
as a humble girl quietly in love with God,
but you knew it would be bad form, downright impious, to argue against a trinity of saints that had taken the time to visit you, just you, in your father’s garden.
Not to mention, when God gets in your head, like a luminous migraine, or a marvelous tumor,
what can you do except abide?
The rest is history. Or myth. Legend. Pages from a tattered scripture in a gilded dustbin.
Something.
There were the victories over England, the coronation of Charles VII, at which you wielded your iconic banner, your capture and imprisonment.
If there had been tabloids, you, Joan, would have been splashed daily across the headlines:
France’s Favorite Maid to Be Tried for Heresy
Joan, the Teenage Witch, Refuses to Admit Allegiance to the Devil
Of course, as God’s cheeky, chosen daughter, you had no intention of going gently into that good night.
Several times you tried to bust out of the big house, often falling from great heights.
When the Inquisitors grilled and viciously quizzed you with the hopes of railroading you into an incriminating confession,
you shrewdly sidestepped and evaded all their tactics, case in point:
Inquisitor: Are you in God’s grace?
Joan: If I am not, may God put me there, and if I am may God so keep me.
You had the bastards squirming, Joan, eating their own blasphemous piles of shit.
But, as it went, they rode a gross miscarriage of justice all the way to the stake, to that fateful day,
May 30th, 1431, when they burned you, not once, not twice, but three times, before scattering your ashes into the Seine.
You were nineteen. Twenty-four years away from being acquitted at your retrial, four-hundred and seventy-eight years away from beatification, and four-hundred and eighty-nine years away from official sainthood.
Which just goes to show that history may be written by the winners, but the rewrites belong to a much higher and more mysterious order.

 

(Painting, “Joan of Arc,” by Jules Bastien-Lepage)
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Postmodern Prehistory

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They were here
before us,
and they will be back
after we are gone,
the seers
with the first eyes,
the artists
absolute
in their sublime regard
for the brute miracles
of the everyday divine.
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Arbus and the Balloon

arbus1a1
Consider the balloon,
a bobbing derivative
of gravity defied,
a plaything
modeling its
claim of the edge
to give the background
its sublime due.
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Reverie

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Diane Arbus dreams
of dissected twins in love
while teething on grass.
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Ghostprints

1200-483082462-lascaux-cave-paintings
Long before
there was Adam’s itchy rib
and Eve’s ruptured spleen
there was a travesty
of hands
a transversal flowerbed
of fngers
reaching in jilted unsion
to grasp
not the meaning of God
but rather
the infinitely sweeping hem
of her timeworn skirt.
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Rainy Day Concerto

bridge in the rain
Hello, floating world,
tilted by sudden downpour–
In crossing, feet sing.

 

(Artwork by Hiroshige)
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The Fugitive

Brassai, Passerby in the Rain
One of these mornings,
when the weather was different,
more forgiving,
she would catch up
to herself,
that fretful woman
always just ahead,
fifty to one hundred
steps or so,
hastening to avoid
the rain-darkened woman
always just behind her
and closing in.

 

(Photo by Brassai)
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Coupling

brassai bike
Longing
comes
to know itself
as a bushy plant
straddling the mist-slicked
head of a motionless bike,
the soft conjoining tease
of silhouettes
banking
on an anonymous night.

 

(Photo by Brassai)

 

 

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Dinner’s Guess and Coming to Who

braque
Young man,
get in this kitchen
RIGHT NOW
and clean up your mess,
we have guests coming for dinner
and what would they say
if they saw a guitar
aborting a knife
into a drawer
framed for murder?
And where o where
did you put your father?
I need him
to cut this bird.

 

(Artwork by Georges Braque)
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