Swing Set

   There was that day you wore your hair in pigtails.
   You were thirteen. Pigtails and a pale blue summer dress. I think the dress was new.
   My mother had died three days earlier.
   You and I were sitting on the stoop, looking out across the street.
   Neither one of us was talking. I remember spitting a lot. Watching a foamy, spit-puddle form.
   It was rare for you to be silent. Silence wasn’t your thing.
   Silence, pigtails, a pale blue summer dress. Somehow it all went together.
   Your hands were fidgeting though. They were placed on your lap and they’d spasm. As if reacting to some sort of allergy.
   I’d sneak glances at your hands and worry. As a source of disquiet, they terrified me. I wanted to scream.
   Yet I was able to calm myself by focusing on your pigtails.
   I wanted to swing from them.
   I thought my life would be different, for a miraculous thirty seconds or so, or that reality would soften around me if I could shrink myself down and swing from your pigtails.
   I never told you that Anya.
   I’m telling you now.

princey

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Forever’s Youth

   Anya and I had almost three weeks. The flirt and tease of a young forever.
   It felt good to be with Anya in this new way. We were no longer ourselves, we were ourselves as a couple, this third and wholly original thing. I was her boyfriend, she was my girlfriend. We had titles. It was like something out of a sitcom.
   It felt good but it also felt awkward. I now felt a new sense of pressure, a responsibility that I didn’t quite grasp or understand. Anya was mine and I was hers. What did that mean exactly? What were we supposed to be, how were we supposed to act?
   My concerns and confusions took a backseat to the high of coupling. I was concerned and confused but I was in love, which was different from being concerned and confused and out of love.
   Anya and I had always confided in each other, but these confidences now came with kissing and hand-holding. It was confiding with benefits.
   That being said, the shadow of Anya’s relationship with Angelo hung over us. Or maybe it was the shadow of Anya’s relationship with herself that hung over me. Did the shadow of my relationship with myself hang over Anya? I didn’t ask because none of these notions were conceptualized at the time. They were latent and wordless, awaiting a future vocabulary.
   Anya and I were hanging out in my living room. My father was in Atlantic City. My mother was dead. Had been for almost three years at that point.
   We watched TV and drank screwdrivers. Anya had poured about half of Boris’s Smirnoff into a jar, and had re-filled his bottle with water. It was a trick she sometimes pulled. I provided the O.J.
   Anya and I started making out. It went on for a long, tangled while. I ventured to Anya’s breasts, smoothing my hands over them through her shirt. Then my hands went under her shirt and I was in exciting, unfamiliar territory. My fingers explored the breast-sculpted fabric of her bra. I tried to unclasp the back of Anya’s bra while maintaining kiss-contact with her mouth, like I had seen men do in the movies, but I wasn’t skilled enough and my clumsy attempt at multi-tasking met failure.
   Anya took the initiative and unclasped her bra while continuing to kiss me. She obviously possessed more cinematic grace than I did. Once her bra was off I lifted her shirt over her head and tossed it to the side, with what I imagined was a small measure of cinematic grace.
   My mouth naturally gravitated toward Anya’s breasts, specifically targeting the nipples. I kissed and sucked what felt like pebbly buttons or rubbery pellets. My hunger for Anya’s breasts was commensurate with the sound of Anya’s desire. The louder and more intensely she moaned, the greater my feeding frenzy. I rubbed my eyes and nose and mouth and chin against the tender geography of her breasts. As a child I hadn’t been breast-fed, and wondered if something innate and primal was kicking in, some long forestalled urge and yearning.
   Anya stopped moaning. And stayed stopped even though I kept teething. I looked up. Tears were streaming down her face.
   I raised my head until it was level with hers.
   What’s wrong, I asked, taking her hand.
   My guess was that things had gone too far too fast. That, despite the speed and intensity which flavored other aspects of Anya’s life and persona, when it came to intimacy she liked to move slow.
   What is it, I squeezed her hand.
   There’s something I have to tell you, she said.
   My stomach instantly dropped. The stomach is always the first to know, and the rest of your parts catch up later.
   She told me how last night she had gone to Manhattan Beach with some of her friends.
   I told her she had already told me that.
   What I didn’t tell you, she continued, is that I ran into Angelo there. He was hanging out with his friends.
   Angelo’s name, and Anya’s speaking of it, was the landmine I had been waiting to step on. I knew it was coming. I just didn’t know when, nor its setting. Now I knew. Last night at Manhattan Beach. Boom.
   We started talking—
   Did you kiss him?
   Daniel will you listen—
   Did you kiss him?
   I swallowed an important breath.
   Anya, did you kiss him?
   Anya lowered her head.
   Yes, we kissed.
   I couldn’t see Anya’s face anymore. I wondered what it was doing. Then, despite the fact that there was no sound, I knew she was crying because of the way her head shook.
   She looked up. I could smell the warm wet coming off her face. Her face was bright and pink and scarred with sorry. It was like looking directly into the open hurt of a child.
   You are the last person on earth that I would ever want to hurt Daniel—
   And yet you have. So what does that say about you Anya? What does that say about you?
   I don’t know what that says about me. I guess it says I’m a fucked up person.
   Anya went quiet. Perhaps she wanted me to swoop in and gentle a reprieve by telling her she wasn’t a fucked-up person. Perhaps she wanted me to act as judge, jury and executioner and rip into her. Whatever she wanted, all I had to offer was frigid silence. That sort of silence which deep-freezes the center of everything, even the words you manage to speak—Well I guess that’s it between us.
   I waited for Anya to respond. A part of me hoped that Anya would tell me that it was a mistake, a foolish drunken moment, and that she didn’t want to be with Angelo, that she wanted to be with me, only me. Yet my stomach, the weather prophet, knew that wasn’t the case.
   Daniel, Anya uttered my name softly, like a small wound.

Brigman VI

Photo by Anne Brigman
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Roseblood

I could feel the music of a slow future dying inside me.
And the past very much alive, like shimmering beatific flowers, like luscious night-thistles.
The past is a changeable feast.
Except it is a feast that eats and eats and eats. It consumes more than it yields.

sudek, last roses

Photo by Josef Sudek
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Boneyard’s Way

I tell myself stories in the dark, Anya.
Whether or not they help is either of primary consequence or none at all.
Sometimes you have to walk through the boneyard in order to reach the garden.
This is what I tell myself. What I keep telling myself.

angel_of_grief_ii_by_damainnero-d591b3c

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Viewfinder

Childhood is an ongoing historical fiction that changes based on who you are when you’re examining it.
Who you are in certain periods and chapters in your life, determines what your childhood is.
Was would imply that childhood is fixed in some kind of static port, but that would not be accurate.
Is because it changes according to you, the viewer.

bresson's boy

(Photo by Henri Cartier-Bresson)
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The Dream Outward

I tell myself stories in the dark, Anya.
It helps. Or maybe it doesn’t.
Maybe it makes things worse. Or keeps everything the same. Which is a different kind of worse.
Anya I long to reach you only because I know that you are unreachable. It keeps my longing in a chrysalis state, a cocoon state. Nothing ever grows, it simply hums and palpitates and aspires toward growth. It is the shadow twin of growth.
Anya I couldn’t reach you in life, not your deep and true center, and I cannot reach you in death, so my relationship to you remains one of thorny and perpetual expectancy. To reach you would mean a betrayal of dreams. Or perhaps they are illusions masquerading as dreams. How to tell the difference?
If the center is where grief lies, I have been spanning the perimeter, dancing the same lame jig for far too long. Someone once wrote you should proceed from the dream outward. What about proceeding from reality inward?

boy

 

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The Lovers

   What are we gonna do with ourselves Daniel?
   Like right now?
   Like ever. Are you gonna go to college?
   I don’t know, but I don’t think so.
   Why you’re smart?
   I hate school. You know what Mark Twain said?
   What?
   There’s nothing wrong with school, just don’t let it get in the way of your education.
   Ooooh, I like that. That’s a good one. Well whatever you do you’ve got your stories. You’re going to be a famous writer aren’t you?
   I don’t know.
   Well I do. And you’re going to be. Trust me. I know these things. I may not know what . . . what was that word again?
   What word?
   Petulant. I may not know what petulant means but I know you’re gonna be a famous writer. World famous. And I’ll say I knew you when. Remember how you used to put me in some of your stories? Do you still do that?
   Sometimes, yea.
   Good. Keep writing about me okay?
   Okay.
   Anything you want. Just include me in your stories. Don’t forget about me. Write whatever you want. Write about the time your crazy friend Anya came to the schoolyard at three o’ clock on a Saturday with a bottle of stolen peach brandy and . . . and you and her got drunk together . . . and then . . . and then she kissed you.
   She kissed me?
   Which is exactly what Anya did.
   Her head rose from my shoulder and her mouth pushed into mine. Her tongue snaked past my lips and initiated my tongue. Wagging, jostling, probing, pinning, curling. A sloppy and frenetic tango, a fevered joust.
   A part of me stood outside myself, watching, recording, narrating.
   You are now kissing Anya and Anya is kissing you. This has never happened before. It is happening now. Notice the slitted dance of her tongue. Notice the peach-heat of her breath in yours. The bulging rhythm of her jaw. Her hand on your cheek. The wet, clicking unity of your mouths. Notice these things. If you pay strict enough attention, if you crystallize with rapt intent, you will always have this moment. It will be yours forever. It will deepen over time. It will grow in value, depth, complexity. You will be able to live and die inside of it repeatedly, endlessly.
   Pay good, strict attention.
   You are now kissing Anya for the first time, always.

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The Dark

Remember when we were kids and we’d sometimes have sleepovers and listen to the dark together? That’s what you called it, Anya, listening to the dark.
   Sometimes we’d pretend to be camping. We’d set up a tent and eat candy and look up at the glow-in-the-dark stars on my ceiling, and the planets and meteors too. The stars were yellow and the meteors were red and the planets were all different colors. And you’d say let’s be quiet and listen to the dark and we’d listen for a little while but you could never keep quiet for long and you’d start asking me questions like what did the dark sound like to me and what was I thinking but my favorite part were those intervals of silence when we were not only listening to the dark but also breathing it and perhaps dreaming it. At least that’s how it felt to me.
   And it was because of you Anya that I started naming different types of dark, listing them. Warm-dark, cave-dark, void-dark, womb-dark, sleep-dark, Eros-dark, blank-dark, siege-dark. And then there’s that anonymous dark that gets inside your head and behind your eyes and coils around your lungs and constricts your breathing. There is also curse-dark, which casts a prolonged spell, a pall. And then there’s lonely, but naming it doesn’t help. Not in the same way.
   Now that you’re gone Anya and I’m still talking to you I wonder what kind of dark this is. Communion-dark, veil-dark?
   We used to listen to the dark together as kids and now I talk to the dark with the hopes of hearing from you again. Echo-dark. Or better yet, Anya-dark. An entire category of dark devoted exclusively to you. How do you feel about that?

sudek creative power

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Communion

Excerpt from No Man’s Brooklyn:
   I put on my headphones, turned on my music and hit shuffle. I eased into Nina Simone’s version of “I Shall Be Released.” I wondered about the state of Anya’s soul, and then thought about her body and where it might be buried.
   Anya’s funeral had occurred and I hadn’t been there. Did she look pretty? Had they falsified her with one of those frigidly beautiful funeral makeovers? What color dress did they display her in? Were her hands folded neatly across her chest? Anya could never keep her hands still. They were the primary extensions of her whirlwind personality. Death had stilled the whirlwind.
   I had been at my mother’s funeral. Or some part of me had been there. Another part of me had been absent. All I remember is that she seemed waxy and unreal. Like the plastic fruit people put in bowls. Ever since then, whenever I see plastic fruit in a bowl, I think of my mother, my mother’s neatly arranged corpse, and I feel a little queasy, a little sad.
  When my grandmother died I didn’t attend her funeral. I was in L.A. and didn’t make the trip back. I didn’t see the point in attending. We hold secret funerals in our heart all the time. Between the living and the dead, the silent communion never ceased.

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Center of Nowhere

Excerpt from No Man’s Brooklyn:
I come from nowhere Daniel, and nowhere is the exact center of the world. Isn’t that exciting?
   I agreed with Anya that it was, even though I wasn’t sure what she meant. And I knew if I asked her to elaborate she would simply repeat what she had said—Nowhere is the exact center of the world. Anya’s way of explaining things was to repeat whatever she had said with greater emphasis, with italicized boldness.
   Anya was perversely proud of the fact that her unofficial birthplace had been a Brooklyn trashcan, and that her original background remained an unsolved mystery.
   I was sometimes jealous of Anya’s origins. I wished I had come from that special nowhere, and that my family wasn’t my real family but stand-ins for my other family, the real ones who I didn’t know. I didn’t want to meet my real mother and father. I wanted them to remain an intrigue and a possibility. A shadowy idea to which I could feel tethered.
   I think Anya felt that way. She never talked about wanting to find her parents. Then again, would you really want to meet the mother or father who would dump you in the trash and leave you to die?
   That being said, she never spoke of her circumstances with rancor or bitterness but rather with curiosity and zeal. Perhaps, in her mind, there was no heartless abandonment, because she truly believed she had come from the center of nowhere.

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