Unwrit

I fall in love
too easy
with phantoms and projections,
spectral imprints
that pool twilight
in their arms
for a living.
Where people are not,
I find myself digging
and searching,
clawing profusely
at beautiful stones
until my nails are broken
and my fingerprints bloodied
into a glyphic makeover.
I court absences,
their staggering volume
a powerful gulfstream
by which every paper boat
and child’s dream
I cast
cuts through channels
and tributaries
en route to the sea’s
brute promise of amnesia.
I forget where I am,
who I was,
and that, at heart,
I am simply
the long-lost lover
of ancient print
in a storybook
whose tales are
as old
as they are
unwritten.

 

 

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Wordburn

Between
the call of bodies,
testing the ream
of vocabulary’s limits,
words exact
their talent
for slow burn,
and quicken
to replenish.
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Slant

There are no
promissory notes
in life,
there are
fugitive scraps
upon which we can opt
to scribble our heart’s mind,
and most tender sublime,
tatters
registered to light’s
lilting slant,
granting us grace
from unexpected angles.
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All Those Who Enter

The young boy asked me,
What is it exactly
that grows in
the cavehunger depths
and wilds of the heart?
No one knows,
dear boy,
it is the most hidden
and magnificent of countries,
all I can say
is that you should thoroughly
explore your own,
and leave trails
so others can find you.

 

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How the Heart Rains

My heart,
as a fool
forever in love
with love’s mercurial climate,
does not beg for static coverage,
or seasons to stop voicing
their natural patterns,
yet my heart,
childlike
in its prehistory,
sometimes
strives to alchemize the weather,
to invent a rainstorm,
just to feel water
weeping against its
paperthin walls.
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Fireproof

Learn
to stand still,
inviolably still,
in the vortex of fire,
and bear true witness;
every bloom
holds within its tenor
the epitaph of it ashes,
every loss
tenders the wick for epiphany,
learn
to remain softly
yet firmly
still in the center
of fire’s fiercest season,
and bear clear witness,
through the heart’s holy break
into smoldering wake
and exception.

 

 

 

 

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Cavespeak

Sometimes
it is like
surfing the gloam
and reaching down
to draw
softly rounded syllables
from curdles of gray
in order to raise
the heart’s homesick climes
from its deepest
and most hidden caves.
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Ghosting

(Excerpt from Broken Land, a Brooklyn Tale)
I closed my notebook and sat motionless at my desk for a long while, feeling flat and infirm.
Then, not able to put it off any longer, it was time to disengage my ghost, Y.  While I didn’t exactly squeeze Y. out of my ass, the effort that went into ejecting it from inside me was similar to the effort that one puts into trying to pass a turd while constipated.  I stiffened my legs, clenched my hands, and the muscles in my face and neck tensed as I forced Y. out.
Achy and flush, I instantly became aware of my body as my own again.  My eyes, which stung a little and felt as if they were coated in filmy gauze, took in what was now before me, hovering several inches off the floor.  A uniform assembly of particles, the size of dimes, flickering a translucent blue.  With measured synchronicity one particle would be drawn toward another particle, stopping right before they touched, then the two would separate, never further than five or six inches apart.  The rhythm was a perfectly repeated breath made visible: expansion swelled Y. to a sphere, contraction slimmed it down to an oval.
How do you feel, I asked Y.
Cold, came the monotone response, which was as much in my head as it was outside of it.
You, Y. asked.
Tired, I said.  Tired, flat and full of nothing.
Y. didn’t say anything and since it was featureless there was no expression to read.
Can you explain to me about the cold, I asked Y.
There is no way to explain it, Y. said.  It’s a cold beyond words.  Beyond human comprehension.
It had been right after my first session when I asked Y. what it was that ghosts gained from helping writers write, what was in it for them, if anything.
Y. had said: The opportunity, even when it’s brief, to inhabit a body and being gives us two very important things: A sense of home. And warmth. Ghosts suffer from terrible cold. I’m not talking about climate-cold that can be measured in degrees, nor am I talking about the lonely-cold that drives people mad.  I’m talking about cold in the abstract, a cold that seeks form and with form comes warmth.  Unless you’re a ghost you can’t feelize what I’m talking about.
(Feelize was a term that Y. used time and again in our conversations.  Y. said that felt-realizations—feelizations—were one of the strongest and most complete ways of knowing something.  Of “getting it.”).
Over the course of the past four days there were other things to which Y. had enlightened me:
1. Even though ghosts don’t remember who they were, who they had been in their previous incarnation, they still had specific memories, yet the memories were attached to feelings and sensations, not to names and history. : “I can remember loving someone, deeply, can remember what it had done to me, what it had felt like.  I can remember the thrill of kissing and holding and touching another being, but I couldn’t tell you who that being was—their name, background, stuff like that.”
2. All ghosts, as far as Y. knew, were nameless and genderless. They all went by one of three standard designations: X., Y. or Z.
3. Y. still had no idea if there was a heaven or hell or anything like that. Y.: “For all I know I’m in a suspended state of limbo waiting to receive word about my re-location.  The thing is I have no clue if that word exists, or if there is a place where the cold is permanently kept out.”
3-B.  Because a place like this remained both a mystery and a possibility, Y. prayed a lot.
4. Possessing living beings is not as easy as some might think. When I had asked Y. why it and other ghosts simply didn’t satisfy their need for warmth and home by willfully taking over living beings, Y. said—“It’s extremely difficult.  Even if you do manage to possess another being against their will, the success rate for staying inside them for an extended period of time is very low.  You have to understand—you are trying to inhabit a being that is already inhabited by a living spirit, one that belongs there.  Unless that spirit and that being are open to receiving a ghost—which usually only happens when someone wants to be possessed by a ghost for personal reasons, in your case that would be writing—you are more or less locked out.  There are some ghosts who will do anything in their power to break a person’s spirit and take control of their being.  Some even force themselves on sleeping women, or rather inside them with the hopes of planting a seed in the woman through which they’ll be reborn.  These type ghosts, though, are the exception and not the norm.”
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Plaything

Fictionalize me,
martyr me to your
crosses
and lost causes,
give me a form
by which my double
can register touch,
and seeds of desire,
twitching and sputtering
in the blue flames
of fabulous opera,
make me the husky baritone
to your soprano shrieking
like a harpooned dolphin in heat,
the two of us, sharing the mount
of impale,
and writhing desperately
to get free,
or to die more deeply.
Make me the singer
whose mouth
you stuff with secret notes,
saying traces of you,
the distilled essence
and bruised print,
reside in the fragrant spells
of ink rivering across pages,
never running dry,
perpetual moistness
dark as it is fine,
Swallow
then sing me back out,
you insist,
continuing to feed
scraps and tatters
of
blood-inked-you
down my throat.
Make me a totem,
upon which every toy legend
is playfully encrypted,
shape me
into laughing water,
so you can always find
the humor in drowning,
scrape me
off the back of my brain,
whose unlit scabrous hallways
lead to interior antechambers
where very few visitors
have ever been.
Fictionalize me,
from the starstuff
drawn from your own
private cosmos,
and then,
devour
what you make of me,
because goddesses
need to eat too,
and their own playthings
are what they most desire
and hunger for.
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Mouth

That mouth,
I remember,
an evocative nursery
of lost things,
a fierce swallower
of galactic bulbs
and starburned roots,
it took in so much,
didn’t it?
announcing to the belly’s
slowchurning greenfire,
to the lips bluequiver icegarden
riot,
I am Memory
upon which you feed
and source,
remember me to my
my most violent pink
and dying suns,
remember me to the words
which have yet to come
and spell you
out
in sheerest hymns.

 

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