How Tomorrow Moves

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It was a matter of helium-speak, and tomorrow-talk, and bright ribbons of noise amounting to nothing.
We, hanging out on the street-corner, conducting ping-pong volleys and raps, ferocity and verve, building ourselves up—who we were and were not, what we would do or had already done. We erected fragile monuments to ourselves, and asked others to pay their respects, perhaps even worship the idols we had carved out of thin air.
Yet, in knowing one another’s monuments to be false, and plastered with shit, we tore each other down, behind shoulders, glances, sarcastic jabs and cuts.
Danny Dazer, who you kidding, you’re not moving to Florida to work at Club Med and screw a new babe every night.
And Mike Chichamimo, we all know there is no hot girlfriend who lives in Staten Island, which is why we never see her, right, but she is real with big tits and a tongue she can’t keep out of your mouth.
We talked big because that was the racket, because we were kids on a street-corner, emotional asthmatics stealing helium from the lungs and lives of others, prospectors mining for hot air.
Tomorrow, yes, tomorrow was our ally, and we charted its petty course, full of sound and fury, our tongues turning tricks and teasing value, out of nothing at all.

 

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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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