Emily

emily
You say
she knew not God
because she scratched
under a floorboard
all winterlong,
the marginal tracks
of a starved mouse
seeking a piece
of brittle crust,
maybe a crumb.
 I say
the floorboard
the scratching
the winter
inside her belly
and tiny paws
induced vision
strong enough
to stare down a sun
setting two ticks too quickly
every premature dusk.
It was her solemn and loving
way of announcing—i am emily—
a signature inviolably scratched
in the floorboard
in winter
in the ecstasy born of a crumb
converted into a banquet.
These things
and not people
not civilization
not society
brought her nearer to God
to herself—
the barest means
shafting
utter blankness.
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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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