Dust Bunny

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“I went to the kitchen and fixed myself another drink. Then I went over to the door leading out to the deck and looked through its glass window. The sky, mottled and ominous, looked like it was on the verge of pouring ravens. The womb-gods are cooperating, I thought.
   I returned to the living room, to my standing and staring spot. D.J. hadn’t moved a muscle. Serenity and seduction, perfectly ordered.
   Am I to keep looking at you?
   Yes.
   For how much longer?
   A little while.
   I stared at D.J. and drank. The gin, or D.J., or both were starting to take hold. I grew flush and feverishly weak with happiness. A sense that anything could happen, and everything was alright.
   D.J.’s expression was coyly imperious, the Queen of the cats. She spoke in a controlled hush—You want this body, don’t you? You want to possess it, in every sense of the word, isn’t that right? Isn’t that right Alex?
   Before I could respond she spoke my name again. And then again. She kept repeating my name, a soft insistent drone that picked up steam, Alex Alex Alex, void of meaning and context, Alex, no longer a name but the enunciated pulse in a revival chant.”
Raking the Dust
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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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