Tag Archives: Surrealism
Cover reveal for my new novel, Nocturne Variations (coming this November). Designed by Heather Ross. NOCTURNE VARIATIONS: Dystopic Peter Pan meets surrealist noir in this cinemythical tale about love, loss and the illusions of shadow-play. Los Angeles, December, 1989, is when … Continue reading
(Excerpt from Broken Land, a Brooklyn Tale) I am standing over myself: a runt-skinny kid lying flat on his stomach, right elbow hunched, the stubby pencil in his left hand ferociously scribbling on a piece of unlined white paper. … Continue reading
(Excerpt from Raking the Dust) I see you decided to join me. I didn’t want you to drink alone. We sat at an empty table flanking the wall. The band was now playing a mournful ballad. Something about two lovers … Continue reading
Grateful for Ashleigh Grycner’s review of Raking the Dust, which appears in the latest installment of Riot Material, and coincides with RTD’s April 3rd relaunch. Raking the Dust, John Biscello’s masterful second novel, is first and foremost a novel about second … Continue reading
Dear Blogging-Community-at-Large: My second novel, Raking the Dust, will be re-released by Unsolicited Press on April 3rd (as part of a build-up toward the release of my new novel, Nocturne Variations, in November). I am offering a limited number of … Continue reading
(Excerpt from No Man’s Brooklyn.) I see her rising off the bathroom tiles, toes pointing downward. I know this is a dream but I also know this actually happened, once, a long time ago. Except then Anya … Continue reading
Excerpt from No Man’s Brooklyn, novel-in-progress. Me and Jake are Charlie are at the Body Rub joint. Jake is treating me to a massage. He offers to treat Charlie too, but Charlie declines. He says he’ll be happy … Continue reading
For those who are members of LibraryThing, I am offering free digital copies of Raking the Dust, my second novel, during a giveaway (which runs through January 17th). Link here.
The Bardo Hotel, respite for amorphic guests– Where change becomes you.