Yellow is the Color of my Sad

yellow on fire
Yellow is the color of my sad, how it runs.
Some think it is blue but it is not.
Blue is the common choice for color/me/sad, the popular one (how moods get typecast),
but yellow is much sadder than blue, perilous in its flash.
It blinds you with hurt, a gentle deadly glare
that gets in and behind your eyes, a palsied bloom
deriving sickly light; it is the slow death of bees
courting honey, shadows of their agony and grace;
Yellow are the screamless mouths and dreamless hands
undiscovered at the bottom of childhood’s well
and haunt, milk-teeth in a grieving hollow.
Yellow is the season of suicidal leaves, consigning themselves
to the cradle of Wind, which becomes the fated pallbearer,
trackless and fugitive.
Yellow infects the necessary dark, it is by far the saddest moon,
the lasting query, the softest of last kisses.
Yellow is the color of my sad, how it runs
on, an apology, a wake, a trespass, unfinished.
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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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