Beat, Bop & Abstraction

number-8-jackson-pollock-1949

It took place
in an amnesiac haze and fury,
numberless nights
of lightningspeak and opiate rabble,
rocketfuel and anti-freeze, bright ribbons
of noise amounting to worry stones
indenting the soft pink center of palms,
on and on and on, fugitive motion
and tensions arrested in space,
rooftop calisthenics and
balcony-blown jigs (clothing
and skin optional ), hell’s bells
and aeronautic scarves modeled
by Lana de Sade, and Heaven’s 24 7
bodegas foil-wrapping promises
to go, on & on & on, all was a mythical riot,
a Saturnalian blast and romp that flirted
with stratosphere, pecked
at the cirrus lips of ether, slapped &
 pinched dreamcake-angel-bums,
and then the return to earth,
wasted, deprived, the worn-out edges
of a faded post-script.
It was the blest of times, and it was
the blest of times, for you see, no matter
the stains or finish or overlay,
no matter the smear campaign or tides of smudge,
the blessings exist imperturbably beneath
whatever veneer is thrown up
whenever whyever
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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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