Ernest Hemingway

hem boxing
Review of Mary V. Dearborn’s Ernest Hemingway, appearing in the new issue of Riot Material.
“Can I believe myself as others believe me to be? Here is where these lines become a confession in the presence of my unknown and unknowable to me, unknown and unknowable for myself. Here is where I create the legend wherein I must bury myself. ” — Miguel de Unamuno.
Perhaps no other 20th century writer has invited more scorn, worship, lampooning, lionization, and soapbox scrutiny than Ernest Hemingway. Or rather the “legend” of Ernest Hemingway. His name became not only synonymous with American literature, and a laconic style of writing, but also with a specific he-man persona that wore its balls on its torn sleeve.
Though often regarded as a “realist,” Hemingway, at heart and in vision, was very much a Romantic, or the hard-boiled step-child of the Romantic tradition. His work, like the persona he crafted, bore a mythic timbre, and was shot through with romantic yearnings, disillusionment, idealism, and torment. You could say, in many of Hemingway’s works, Romanticism Vs. Reality, and the resulting bruises, bloodletting and scars, is the thematic undercard.
To read the full review, click here.
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About John Biscello

Originally from Brooklyn, NY, writer, poet, spoken word performer, and playwright, John Biscello now lives in Taos, New Mexico. He is the author of two novels: Broken Land, a Brooklyn Tale and Raking the Dust, and a collection of stories, Freeze Tag. His fiction and poetry has appeared in: Art Times, nthposition, The Wanderlust Review, Ophelia Street, Caper, Polyphony, Dilate, Militant Roger, Chokecherries, Farmhouse, BENT, The 555 Collective, Instigator, Brass Sopaipilla, The Iconoclast, Adobe Walls, Kansas City Voices, and the Tishman Review. His blog--Notes of an Urban Stray--can be read at johnbiscello.blogspot.com. Broken Land, a Brooklyn Tale was named Underground Book Reviews 2014 Book of the Year.
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