Reckoning

I realized that there may never come a reckoning that equated to a clean or true do-over. And what was it I wanted to break from? Was it the past, was it a worn and outdated mode of self that had calcified into my grotesque twin, a mummified incarnation that was more shadow than light? Was it reality itself that I wanted to break away from? Or was it a whole charade and shit show of illusions that I longed to escape in hopes of reacclimating to the truer deeper reality that existed omnipresently beneath the veneer?
I always told myself: No matter what, keep recording. Like an angel with a devil on his shoulder. Or vice versa.
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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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