Anya Rising

(Excerpt from No Man’s Brooklyn.)
   I see her rising off the bathroom tiles, toes pointing downward.
   I know this is a dream but I also know this actually happened, once, a long time ago.
   Except then Anya was dry and fully clothed and she was in a hallway not a bathroom. And she was alive.
   Now Anya is dead and I am watching her rise.
   She is slick and bright with moisture (indicating that she has just gotten out of the clawfoot tub which she hovers in front of) and wrapped in a beige towel which covers her from the freckled tops of her breasts to just below her thighs.
   Her hair is a water-darkened mass plastered against her back.
   Palms turned out, hands quivering with rigidity. As are the muscles in her flush-pink face.
   Her nose is bleeding, just as it was that time in the hallway. A thin scarlet thread snaking its way from her left nostril to the edge of her chin.
   I marvel at the phenomena of inches separating Anya’s feet from the floor.
   I marvel at Anya, and the nearness of her unreachability.
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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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