Seeds

The other day
I met a monk who juggled watermelon seeds
with his tongue.
When I asked him how he did it,
he spit the seeds at me,
a staccato stream of seed-bullets
as if the monk were no monk at all
but rather a cartoon gangster, or vaudeville gunner.
I ducked.
All of the seeds flew over my head
except for one, the lone seed that clung
to the top of my shoulder.
The monk’s eyes wrinkled with silent laughter,
which soon emitted from his nostrils and mouth
as a soft hissing sound.
How do you do that, he pointed at the seed
perched on my shoulder.
I smiled and shrugged and the seed fell off.
On the way home I stopped at the grocery store and bought a watermelon.
When I got home I cut it open and made a project out of seed-removal.
Then I tried juggling seeds with my tongue, but to no avail.
Several hours later, having not made any progress with my juggling act,
I sat down and stared at the lovely sloppy wreckage of watermelon and rind,
and at, or rather into the dreamlife of seeds gathered in a small glass bowl.
I picked up one of the seeds and planted it on my shoulder.
It’s easy, I said, as if the monk were there watching and listening,
and his silence roared like the most marvelous applause.
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About John Biscello

Originally from Brooklyn, NY, novelist, poet, performer, playwright and filmmaker, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of six novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, No Man’s Brooklyn, The Last Furies, and No One Dreams in Color; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His plays have been staged and performed both nationally and internationally.
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