Portrait in Red

From the series, Japan Poems.

In the hushed expectant stillness of red,

the wall waited for the day

it would no longer have to hold the girl back

or up, waited patiently for blue to pick up

where she left off to become the haughty moon

in the motherless sky.

Some curses last long, and longer still,

blurring boundaries bodiless to the touch—

the girl had had enough,

her infinity a troubling shell of itself,

a plaited trembling.

The girl’s secret assassins knew this well

and truces were out of the question.

In the smallest hours of waiting

to no end

the wall’s pressure

inevitably forced the girl

to break into a thousand small dark shrieking birds,

constituents of a maze now resolving itself,

with each bird bearing a piece of the girl’s lost name,

unlettered, fast-moving, placeless

in its origins

and spacious unbecoming.  

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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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