Andrea Doria

Itchy navels, persecutions, manias, projections, snot-rimmed abysses, it’s been a mixed bag of plenty and none, and here I sit with the day’s teeth growing long and chomping down with razor-edged intensity … the stringent air of day after days passing … I, like the others, unspecified yet very much there, so it’s fair for me to say that we, we are passengers on this creaking wooden behemoth of a ship (some have called us the Ship of Fools, some have called the ship by different names—Titanic, Lusitania, Andrea Doria), I pass the days talking to myself while imagining the others listening, the process is vintage and varied, sometimes I diddle myself, sometimes I crib footnotes from old texts, and there’s always the fondling, fondling being one of the choicest diversions on this voyage, where I am going, where we are going, the ship of fools, the Titanic, the Lusitania, the Andrea Doria, I gulp depleted air from ingoing sky without ever looking up.

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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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