Pandora

I won’t call this a book because no one reads books anymore, no one gives two shits and a dime about books. I’ll call this an exalted and long overdue mania, a catalytic inversion, a freebase purge. Whatever, whatever.

Voyeurs now live and lurk elsewhere. So one such as myself is freed up to roam with my pants down, with hopes that lightning will come down hard and sizzle my crotch. Once every generation or so, a crotch is lightning-fried, cruci-fried, then duly forgotten. So be it. So be it has become my stopwatch and slapstick. I disavowed permanence a thousand years ago, and in the thousand years since, it has been one long droning spell of bewitchment, rubbing two sticks together profusely to teach a mirror the meaning of fire. So be it. After all, newly formed landscape and its accompanying ruins have become my pyramid and playground, my cradle and fallout. Lonely, perhaps, but at least I can walk around with my pants down.

This is not a book, not the beginning of something that one day hopes to grow up and become a book, books, all books died in a childbirth holocaust many moons ago, midwives fled the scene screaming for order, orders from the top never arrived, and books flopped and floated belly-up like swollen dead fish in the salty grave of sea.

It started with imbecilic stuttering, a chorus of apelike tremolos, which morphed into mirror-hawking parakeets, followed by lightless dead-eyed gapes at navels, crotches, ankles … never eyes. Eyes stopped meeting eyes. Without eyes, the extinction of books was one of innumerable side-effects. No longer seeing eye to eye, the lot became eyeless, and the eyeless had zero interest in reading books, and less than zero interest in writing them. So be it.

My misguided intention is to invent a caravan of solitudes, a circus of nobodies, or degenerates of vagabondage, on and on, some invented group or another through which I can warm my loneliness by the proverbial fire. To think, that I once dreamed … to hell with that.

You know what I found? A child’s broken heart, and therein its fields of dreaming, no, not a child’s broken heart, children’s broken hearts, a glaring multitude, leaking sapwater which is favored by trees. There is no purer liquid on earth than that which derives from children’s broken hearts, hence the strategically aimed slaughter and clustering sport of carnage. The barbarians have long since advanced beyond the gate. Your blood, and your children’s children’s blood, is on their hands. They move about freely, red-handed, a proud race of barn-burning rapists.

I live here, waxing, waning, in my regal hovel, my christlike fallout, and words keep on wording, the idiotic bubbling up like furious snails, I place them where I can, I imagine the others I can’t see listening, someone must be listening, and caught in these wheels between here and not, now and when, I insist to no one listening that this is not a book, I say this again and again, etching my vigor in troubled air, again and again trusting that fool’s gold bears value of some sort, this can’t be a book because all that tripe and jazz ended long ago and can never begin again, never, ever, though maybe, perhaps, under certain unforeseen conditions … no, don’t start with all that nonsense again: leave Pandora to her ashes and anal weathering.

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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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