Kerouac

Kerouac whizzed and hummed. He lived with smoldering zest a crumbling highway within. He took to this unlighted highway, equal parts tour guide and lost little lamb, nuzzling a candle, believing that even the littlest light would make him brave, being brave was important, he was not brave, he was very brave, the pendelum hosted two faces, and rebellion was never far away. Perhaps bravery is brightly colored balloons we blow up, hold for a while, then bequeath to the sky. Jack tacked up pictures of himself as a legend in the quaint bedroom of his mind, childhood as a kingdom would prevail within, if not without … without meant a consortium of doubts which would slay, assail, scour. How to claim the first gold of one’s visions? How to ennoble lyrics as if blessed by right rain and river’s memory? Mystical concerns. Littleboy ambitions. A beggar’s opulent banquet, untouched as thin blue baroque smoke woven into edible cursive.

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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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