Deeply appreciated Candice Lousia Daquin’s incisive and in-depth review of The Last Furies. Excerpt of the review below:
“With a background in screen-writing, these influences are Biscello’s nod to cinema and emphasis on art and visual components, often eschewing traditional formatting, in keeping with surrealist writer Mikhail Bulgakov’s style, to explore emotion and spiritual quests, without typical rule-book. The publishers, Lost Telegram Press, have created an artbook with interior postcard, to complement this fragmentary style, where cinematic-scene-play, sits with a lush dream-style, reminiscent of French New Wave in its refusal to explain itself. A screen-play within a novel, permitting entry from our own ubiquitous world, to this discomfiting navarre.”
John Biscello 