Net Worth

   Memory slips through one’s fingers, an aggrieved net unable to hold sea or time. Everything floats by and through as intangible, ephemeral.

   How to achieve fluency and accuracy of memory, of memory loss? I do not know.

   It could begin like this: There were four of us boys. We were all part of the same family, but also we weren’t.

   This speaks volumes about the subjective experience of family members curating their own realities, individually, within a shared network. In other words: we were all there together, but also we were there separately. Dad hitting Mom with the belt registered a different impact and separate internalized reality for each one of the brothers. In this respect, memory can never be singular. It always splinters, and in splintering it proliferates. Memory is a hutch for rabbit orgies, destined for multiples, never singularity.

   Each of us curates our own reality.

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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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