Horizon

Longing’s end goal is itself, though it will never admit that. To admit that would strip Longing of its impetus and bait, would render it flatfooted in its futile race against time. Longing is habitually wired to attach its fevers and fires to an end-goal not itself—an object, person, place, dream—something that can fulfill the role of necessary motive and Grail-tease. In reality, though, longing is only and always chasing its own tail. Its desire to devour is the endless tale of Ouroboros devouring its own tail. Desire is self-perpetuating, and whatever causes or goals it takes aim at or adheres to, are arbitrary and interchangeable. They all serve the same function as catalytic agitators, or distances eloping with horizon lines.  

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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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