A Brief History of Love

Here, her mother said, pressing something into her palm.

   A phantom tack. A concentrated pinch. Something sharp breaking skin and spreading heat.

   She looked down. Her palm now tattooed with a tangle of dark glyphs, a concert of spirals, curlicues and arabesques. The glyphs pulsated, a beating that nearly set them in relief against the skin.

   She raised her eyes and asked—Mother, what have you given me?

   Mother held daughter’s gaze, as she responded—I gave you my history. It’s a small thing but I wanted to pass it onto you. Pass it into you.

   The daughter stared at the secret alphabet monopolizing her palm, and tried to imagine how much history her hand now held. A future recalled, a past foretold.

   She closed her fingers, screening history, and opened them, a revelation. Again and again—opening, closing, hiding, revealing, keeping time to wounds. The rapid fanning of joy and sorrow made her dizzy.

   Are you okay, her mother asked, brushing strands of hair away from her face.

   Yes, I am. Thank you. Thank you for this gift. Are you…

   The daughter’s throat seized up. She stared down at her remade hand.

   The mother nodded and kissed her daughter’s forehead, a cool imprint of lips, a fugitive echo, before she faded, a trick of the light expired.

   The daughter dug glassy nails into her palm, testing the reality of the history she had inherited, and as the pinch, sprouting thorns, moved from her palm to her hand, she recalled vividly how the water had risen so quickly, and how the dark, intrepid and weightless, had risen with it.

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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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