In a World of Blue

It was autumn, or late summer.

We met in the coat-room she called home

for half her waking life.

She, the coat-check girl,

I, the elevator guy.

We didn’t see ourselves as past-due or endangered

then,

but now, upon reflection…

Something about her rosewater perfume layered

in thick workingclass sweat

drew me in

as I delivered some truly terrible elevator pun

about going down

and next thing I knew we were

clothes torn skin rented

fucking.

We fucked with the world-ending rhythm

of two people who were poor

and knew that they’d always be poor,

we screwed the blues into and out of us,

third-class citizens whose visions of richness

would remain a glossy mirage and syringe

discarded at the edge of a postcard

lying to us from a sanitized distance.

We became instant credit and convenient loans

to each other’s high-interest, defaulting loneliness.

Once, only once.

What became of her, I sometimes wonder,

but more often find myself asking,

in a quiet room where loss echoes loudly,

what became of me?

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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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