Pines

In the beginning was the Word.

And the Word grinned like a lascivious jackal, like a cruel scythe,

and we were seduced.

A votive placed in our niche spreading small light

as Word-symbol flashed before our illuminated eyes:

the darkened hollow in the nape of an apple,

which when translated becomes both kiss and lips.

Words started pairing and proliferating

meaning a multi-versal vocabulary of longing and ache

brought kiss to lips, knife to bark, shout to twist,

missive to scribe.

Words in captivity, and unqualified conviction, between you and I,

shrunk the gap of distances while blending pronouns

into something hybrid and unrecognizable.

We expand and widen by asking,

and by test-proofing drive-bys

authored by poetic license.

In other words, there have never been any words for this,

only clumsy sincere attempts and measures

meant to resemble words

or word-like drift.   

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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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