Author Archives: John Biscello

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About John Biscello

Originally from Brooklyn, NY, novelist, poet, performer, playwright and filmmaker, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of six novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, No Man’s Brooklyn, The Last Furies, and No One Dreams in Color; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His plays have been staged and performed both nationally and internationally.

In a World of Blue

It was autumn, or late summer. We met in the coat-room she called home for half her waking life. She, the coat-check girl, I, the elevator guy. We didn’t see ourselves as past-due or endangered then, but now, upon reflection… … Continue reading →

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Speakeasy

They the fable-soaked and sorrowful children of the moon engender shadows if only to bootleg the mercury of departure to trespass lightly.

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In Our Solitude

In the birthing solitude of invention, memories night-bloom as cosplay and eulogy in the flickering séance of cinema, keeping strange limitless company to a rounded minimum.

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Equatorial

Find me, she urged, in a bird-broken sky, in mottled swills of ink darkening my want— Find me, wherever I am not, the explicit spreading of distance to tease and captivate Memory’s cosplay in a subtextual plot.

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Archive

Memory, eulogies birthed in reverse, séance syncing soundly the cinema of ghosts with real-time revivals rounding to fade.

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Now Playing

In the bluest breath of want we are ghosts haunting our own lives possessed by the mutable shadows of cinema.

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Freight Blues

In the bluest breath of want, pooling to unseemly levels, making beggars of desire’s taste for excess, we run on and on, riveted to freight and laboring conundrum.

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Flicker

In the longaching cinema of memory, the gauzy calling and want of ghosts, exponentially the veiled sum of fading and pulse.

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As if Ghosts

She, as in ghosts, as in white-hot incubi with a seductive glassy not there stare, it bewitches and allures, bears melancholy freighted with scraped knees and mirror shards. There is a lucid unblinking poise, calculated reserve composed of crystal and … Continue reading →

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Haunt

She, as in ghosts, the seductive glassy not-there stare making you long for what has passed, or is passing— Séance, persuasive in its call and touch, a cheat code flirting with disaster, or remnants haunting thereafter.

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