Author Archives: John Biscello

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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.

Unlearned

We are God’s longing to know herself on intimate, unfettered terms, human to the radiant touch and tenderest basking, infinitely unlearned.  

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Disability

Receiving disability was another gold ticket ambition of many of the men in my neighborhood. Years ago, my father had lucked into this fortune by hurting his back while working and had been able to parlay that into a ceaseless … Continue reading →

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Narcissus: a Haiku Break-Up

It’s not really me, but more, well, I suppose you: nothing personal.

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Reckoning

I realized that there may never come a reckoning that equated to a clean or true do-over. And what was it I wanted to break from? Was it the past, was it a worn and outdated mode of self that … Continue reading →

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Grandmother

   She was short, a spud of a woman, who in the summer looked like an overbaked potato.    Her hair was a mushroom-cap, a helmet-poof petrified by copious amounts of Aqua Net hairspray. My grandmother was sweet, exceptionally sensitive, … Continue reading →

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Feelism

Feelism: emotional subjectivity filtered through the prism of Memory; story-seeds rooted in sensual Nostalgia. In my book, this is what happened has always taken a backseat to this is how it felt.

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Slant

Emily Dickinson advised that we “tell it slant.” This makes sense. Telling it slant is a natural outgrowth of living it slant. Oblique paths and slanted paths dominate my sense of inner geography. Dylan Thomas wrote: “The memories of childhood … Continue reading →

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Silent Night

The ongoing rabble and cinematic narrative in my mind is finding how nourishing and full and tender the heart can grow steeped in silence alone.  

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Wellspring

Through the grace of repetition, the writing life grounded in the slow, wistful measures of wellspring’s fortune.

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Peerless

Fasting on remedial prayers, hunger flinting the strike of peerless light at tunnel’s end.

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