Alfred Hitchcock Presents

Illuminated,
but with razors,
the shadow found a face
to give its cinematic debut
a twist on types fitted
to escape plans
in small, forgotten rooms.

#53 from Untitled Film Poems
Image by Cindy Sherman
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Unmade

Rumpled, with a sense of grave toil,
and casual slips of crucial error–
Was this what love meant,
or did? Could that be all?
The woman settled
into the shape of her day,
and pined for something remote
and unspecified,
a feeling, a place, anything
to keep her unmade and hoping.

#51 from Untitled Film Poems
Image by Cindy Sherman

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Semblance

It is like
having a piece
of hard existential candy
lodged in your larynx
while all around you
voices demand
the strictest means
of geometry
by which to constellate
your semblance.

#51 from Untitled Film Poems
Image by Cindy Sherman

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Prop List

It had become a question of values,
and proper arrangement.
She had burned with a nightly longing
to know
the deathly stillness
of essential props,
as if life
was in the market
for high-end
interior models
to place first.

#50 from Untitled Film Poems
Image by Cindy Sherman

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Through A Glass Darkly

She paused, to reflect
upon how, in this house,
there would never be a shortage of glasses,
they’d never run out.
Forever, the company
of herself, abolished in the throes
of forgetting.

#49 from Untitled Film Poems
Image by Cindy Sherman

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Twilight Zone

The waiting
wasn’t anything new.
It was the open spaces,
the promise of breathing room,
which was eerily unfamiliar.
She catalogued
what she had packed,
and what she had left behind,.
while assuming the burden of distance
to match the dimming caliber of twilight.

#48 from Untitled Film Poems
Image by Cindy Sherman
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The Sun Also Rises

As the water

softened the earth

in the garden,

she peered out

from under her sunhat

to gauge

if that dark thing

coiled by the fence

was a snake,

and if so, by god,

could it be smiling?

#47 from Untitled Film Poems

Image by Cindy Sherman

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Water Baby

As a child,
they had tried to scare her
with stories of Jaws,
and other undersea dangers.
Her mother wanted her to be safe,
which meant keeping her as close to shore
as possible.
Now, out there, alone, bobbing,
she clearly understood
just how vast and unforgiving a mother
the sea was, or could be,
and how, by radical turn,
she had become the water baby,
unafraid to submerge. 

#46 from Untitled Film Poems
Image by Cindy Sherman
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Breathing Lessons

Goggles
refract light
was the first lesson
she learned.
How to breathe
underwater
with no apparatus
was the second
which enabled
a lucid
surrogate life
below the surface.

#45 from Untitled Film Poems
Image by Cindy Sherman

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Transience

She never did go anywhere,
you know?
Some ghosts
become totemic stand-bys
for the lives they never lived,
for potentialties
that passed, in solemn wisp,
from dream to dream,
then fade.

#44 from Untitled Film Poems
Image by Cindy Sherman

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