To Whom It May Concern

The letters ran together,
a blur, and vicious assembly,
which forced her to comprehend
an absence, with no prints to register.

#33 from Untitled Film Poems
Image by Cindy Sherman

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Torch Song

Some women

waited for men

to light their cigarettes

for them

but never her—

she, the one who netted

her own desire,

and blatantly committed

a most lovely heresy

by balancing

a small piece of the moon

on her fingertips

until her cigarette

torched

and underscored

the legend of the woman

scorned as a witch

by men

who didn’t know what to make

of unclaimed fire.

#32 from Untitled Film Poems

Image by Cindy Sherman

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Losing my Religion

It began, innocently,
with the allure
of velvet-dark
and musky incense,
then it became something else,
or she did, a girl
with a ribbed dream-life,
in which she and God
found each other,
spread severely thin
upon the wetted meshes
of bait
and longing.

#31 from Untitled Film Poems
Image by Cindy Sherman

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Photograph

Where was I then,
or better yet, who?
All night long
I listen
to the edges
of old photographs
brushing against
the delicate contours
of memory,
and thank god
for windows
and doors.

#30 from Untitled Film Poems
Image by Cindy Sherman
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In Her Solitude

Chafing,
with matted scales
of light,
became the cinematic measures
by which her solitude
was visaged
and defined.
#29 from Untitled Film Poems
Image by Cindy Sherman
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Dim

There is a tiredness
which sleep cannot cure;
there is a life,
undimmed,
surging unprotected
beyond these walls.

#28 from Untitled Film Poems
Image by Cindy Sherman
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Stalking

To become a vagrant
to the territory
of one’s own self,
requires the right kind of corridor,
an elliptical sense of fugue,
and footfalls which softly echo
a stalker’s unmitigated pursuit.

#27-B from Untitled Film Poems
Image by Cindy Sherman
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Moonshine

It had been
a night to forget,
many were.
She blamed
the moon,
because it was there,
a mocking bauble
belonging to someone else’s idea
of munificent and festive.
The scraping
at the back of her brain
would stop any second now
any second
and give way
to a tented settling
and fade.

#27 from Untitled Film Poems
Image by Cindy Sherman
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Deposed

It was a wrong turn,
modeling a cobbled geography
of hell,
that led her down
and away
from the sorceress she had been
once upon a time
in someone else’s kingdom
of rape and vampires.

#26 from Untitled Film Poems
Image by Cindy Sherman
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Travel Plans

Had she done the right thing?

And by right thing

what or whose standards

was she applying

to measure the moral correctness

or lack thereof

of what she had done?

She had grown sick

and tired of considering

every angle and X-factor,

sick and tired

of a brain

hellbent on sabotage.

Self-forgiveness,

as a conceivable balm,

seemed faraway

and unreal,

but she would travel

whatever vagaries of distance

kept at bay

who she was,

from who she was

determined to become.

#25 from Untitled Film Poems

Image by Cindy Sherman

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