Reel

No matter
how many times
she played it
over
and over
in her mind
she couldn’t
for the life of her
digest the magnitude
of what had been taken
and why.

#24 from Untitled Film Poems
Image by Cindy Sherman

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Butter and Arson

Perhaps,

in a hundred years,

none of this would matter—

the man across the street

would just be a man

and not her husband

holding hands

with that bitch

from 5-C

who had the nerve

to knock on their door

and ask if she could

borrow some butter

she was baking a cake

and was all out—

perhaps, in a hundred years,

bitches that borrow butter

and husbands

will have become

a thing of the past,

but right now,

she had a household to run,

a husband to confront,

and of course the flagrant itch

to burn it all down to the ground,

before picking up the kids.

#23 from Untitled Film Poems

Image by Cindy Sherman

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Steppingstone

She had played dress-up

to echo the life without—

At twilight, she’d shed.

#22 from Untitled Film Poems

Image by Cindy Sherman

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Vertigo

There were too many pieces to the puzzle,
too many keen faults in the symmetry.
She locked eyes
with the darkened window
of the building across the street,
and when vertigo took the elevator
down to meet her
where she was standing,
shaky and unsure,
she braced herself
for the kind of falling
that no one ever saw.

#21 from Untitled Film Poems
Image by Cindy Sherman

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Framework

A well-ordered day,
relative to the framing,
which living betrayed.

#20 from Untitled Film Poems
Image by Cindy Sherman
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Runes

Fall in the city.
A building offers
the glyphic runes
of a tectonic language
in relief
that goes unnoticed
by the woman
who has just seen her lover
listening to another woman
closely.

#19 from Untitled Film Poems
Image by Cindy Sherman

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The Double

There was a staggered repeatability
to her days
which she counted upon
for a semblance of security
and rightness,
so you can imagine
her surprise when she looked across
the street and saw a woman
identical to her, same head scarf,
same handbag, same heels,
walking backwards
with an assurance
assigned to normalcy.

#18 from Untitled Film Poems

Image by Cindy Sherman

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American Gothic

A tableaux of modern gothic,
modeling the claims of dying light–
To go gently, or to rage
within a facade of ice?

#17 from Untitled Film Poems
Image by Cindy Sherman
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Singe

In a sense,
you could call it
a stay of execution,
but that would be waxing operatic
just to make the whole thing
worth remembering.
Still, he had
groveled before your feet,
while clutching at your shadow’s hem,
begging for a temporary pardon
or reprieve,
those were his exact words,
as your silence, like sullen ash,
left him singed
in the face of metaphor.

#16 from Untitled Film Poems
Image by Cindy Sherman
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Crossbearing

She, the heroine,
in the still of her own life–
Christ, how far to go?

#15 from Untitled Film Poems
Image by Cindy Sherman

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