Saturday Night Russian

   It was Jake who first called Anya the Saturday Night Russian. It started when Anya was twelve. Up until that point her wardrobe had been pretty subdued, pretty ordinary. Jeans or capris, T-shirts, sandals or sneakers. Then, seemingly overnight, a seismic fashion shift. It was like when Sandy, in Grease, went from sweatered primrose to leather-clad badass.
   What was the uniform of a Saturday Night Russian? Teased-up hair, large hoop earrings, lots of make-up, a sequined halter-top, tight mini-skirt, open-toed platforms, and glitter-painted fingernails and toenails. Anya went from eleven to eighteen in a blink.
   The Saturday Night Russian scared me because she looked and acted different from the Anya I knew, the Anya with whom I had played G.I. Joes and hide and seek and Monopoly and marbles and skelzy. I was also scared because she now drew a different level of attention from the boys and the girls, but especially from the boys. I became aware that the Saturday Night Russian existed as an object of sexual desire. The girls thought she was a pop star. The boys wanted to fuck her in the worst way. Anya must have known that she, as the Saturday Night Russian, held this power and influence. But she never said anything to me about it, nor did she ever show any interest in any of the boys we hung around with. She seemed indifferent, somehow above them. I felt different, or special in that Anya and I had been close since were little kids, but I had no idea if that closeness belonged strictly to who we were, and wouldn’t carry over into or what we were becoming.
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Digging in the Dirt

   The episode played and we laughed at the scenes and punchlines we had seen and heard at least a hundred times. Our laughter was tracked on a loop, because no matter how many times we saw it, always Ralph and Ed would wind up handcuffed to one another, and always Ralph would chew on the rubber marshmallow given to him by Ed, and Ralph’s threat to slug Ed and “boompf” him out of the train car was an imperishable threat, one that belonged to a slapstick continuum.
 I looked over at my father. The doughy bulk embedded in the recliner, the cigarette poking out of his mouth, the creased face, the brown hair speckled gray.
   He was getting older. I was getting older. Ralph and Ed would never grow any older. They were time-locked in a black-and-white world, a special kind of forever.
   Anya would never grow any older. Thirty-six was far as she had gotten, as far as she would ever get.
   Why had I come home, and why did I specifically choose to stay with my father, in the apartment where I had grown up and where my mother had died?
   Nostalgia is a form of mourning. Had I set myself the impossible task of recovering something that had been lost? It was a fool’s mission and yet I undertook it because a mission is a mission is a mission, right?
   I looked at my father and listened to him laughing at the The Honeymooners in the way he always laughed at The Honeymooners.
   When I was younger I never considered my father’s inner landscape. Or that he might even have one. He was simply my father, my hero, my monster, my god, my tormentor, my boogeyman. He was the man I sometimes I wanted to murder and sometimes expected to be murdered by. His inner life was none of my concern. I was too busy retreating into my own.
   It is the photo of the three-year old cowboy, grinning ear to ear, overjoyed to have his pony and his mother, that I need to remember. He, like the rueful little boy digging in the dirt, and all the other little boys I never saw that are time-locked inside my father, might widen my perspective, if not deepen it.

 

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Center of Nowhere

    I come from nowhere Daniel, and nowhere is the exact center of the world. Isn’t that exciting?
   I agreed with Anya that it was, even though I wasn’t sure what she meant. And I knew if I asked her to elaborate she would simply repeat what she had said—Nowhere is the exact center of the world. Anya’s way of explaining things was to repeat whatever she had said with greater emphasis, with italicized boldness.
   Anya was perversely proud of the fact that her unofficial birthplace had been a Brooklyn trashcan, and that her original background remained an unsolved mystery.
   I was sometimes jealous of Anya’s origins. I wished I had come from that special nowhere, and that my family wasn’t my real family but stand-ins for my other family, the real ones who I didn’t know. I didn’t want to meet my real mother and father. I wanted them to remain an intrigue and a possibility. A shadowy idea to which I could feel tethered.
   I think Anya felt that way. She never talked about wanting to find her parents. Then again, would you really want to meet the mother or father who would dump you in the trash and leave you to die?
   That being said, she never spoke of her circumstances with rancor or bitterness but rather with curiosity and zeal. Perhaps, in her mind, there was no heartless abandonment, because she truly believed she had come from the center of nowhere.
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House of Incest

Excerpt from No Man’s Brooklyn, novel-in-progress.
   Toward the end my mother began to open up. Of course I didn’t know the end was coming, nor did my father.
   My mother, during the last several months, had become a shut-in, a convalescent, addled by a smorgasbord of symptoms. The doctors couldn’t diagnose her mysterious illness.
   My father alternated between being touchingly tender with her, a side of him I had never seen before, and criticizing her for what he perceived as her lack of will, her lack of desire to want to get better.
   He often insisted that it was all in her head, that she was the one making herself sick. If there was something wrong with you the doctors would have found it by now, he bluntly reasoned.
   Sometimes my mother contested my father’s verdict, other times she said nothing. Eventually she stopped caring altogether and relented to her sickness and no longer tried to justify or defend the nature of its reality.
   Still I never thought she wouldn’t get better. It just seemed a matter of time. Especially since my mother’s previous phases had run courses which eventually burned themselves out.
   Influenced by my Aunt Dotty, a raging kleptomaniac, my mother had become a thief for a while. She would shoplift merchandise from Macy’s, Bloomingdales, J.C. Penney, and other department stores. That lasted about two years.
   Influenced by my father she became a cokehead. That lasted several years and then she quit cold turkey after she and my father didn’t wake up one Christmas day until nearly five in the evening. The previous night’s snowstorm which had fallen up their noses had buried them in a deep slumber. I tried to wake them on several occasions but they were dead to the world. I sat in the living room and waited and waited. When my mother finally did emerge from the bedroom and saw that I had been waiting and that it was nearly dark out she cried and apologized profusely and swore off coke for good.
   There were other phases she cycled through as well, so when she got sick I figured it would be for an indeterminate period of time and then she would get better and be done with the sickness phase.
   So yea, toward the end my mother began to open up, and I, by proxy and default, became her confessor.
   I remember the day she told me there was nothing inside her, nothing in there.
   I listened as she explained that she had been reading a lot and now understood that people had a life inside of them, a child inside of them, different people inside of them. She said there was a lot going on that we didn’t see and yet she had never ever felt that way, she felt nothing inside, just emptiness.
   It was weird. I felt exactly the same as my mother, but opposite. I had often felt there was nothing outside of me, nothing out there.
   Hearing my mother say she was empty inside was uncomfortable but what was a thousand times more uncomfortable was the thing she told me two weeks before she killed herself.
   She was embedded in the couch, surrounded by her cadre of self-help books. I don’t remember the titles of the books she read, but I do remember two names—John Bradshaw and Melody Beattie. Those two names became the symbolic ambassadors that I associated with my mother’s self-help frenzy.
   I could tell that my mother had been crying. Her face was worn, her eyes puffy. Wadded-up tissues were in her hand. She was pretty doped up on whatever medication she was on and reacted slowly, gingerly, to my entering the living room.
   Daniel, she said.
   Hi Ma, I said. How are you feeling?
   So-so.
   Do you need anything?
   No-no I’m fine, just . . . why don’t you sit down for a while? Come sit in here with me.
   Her words were hazy and tentative, casualties of fog.
   I sat cross-legged on the floor, facing the couch.
   We talked for a while, I don’t remember about what. What I quite vividly remember is what I catalogued as the marked beginning to the bombshell she was about to drop.
   You don’t remember my father do you?
   Not really, just a little bit.
   What do you remember?
   I remember that he once gave me a suit as a present and another time he gave me a Viewfinder. One that came with pictures of dinosaurs.
   Wow yes, I think I remember that too.
   My mother’s voice was thin and parched.
   Do you want some water, I asked her.
   No no I’m fine, she said. Listen I want to tell you something. It’s not easy but I want to tell you, I think you should know, I want someone to know.
   I had no idea what my mother was about to say but my stomach let me know that I wasn’t going to like it.
   I waited. And stared.
   My mother had always been quite beautiful. The piercing blueness of her eyes, the striking angularity of her features, her dancer’s neck. Traces of that woman remained, but mostly she was gone, blanched into a whisper.
   The whisper spoke—When I was a little girl my father molested me. I didn’t know. All these years and I didn’t know and now I know now I remember what he did to me and I wanted to tell someone I needed to tell someone it felt important to say it. I’m sorry Daniel I needed to say it I’m sorry I’m sorry.
   She started crying, her head toggling.
   I was shocked. And pissed. Why the fuck was she telling me? Why was I the one she had chosen?
   I don’t wanna hear this, I heard myself snap.
   Daniel I’m sorry I just needed to tell someone and you’re my son—
   (I tuned her out and tuned in to my own inner-rant, Exactly I’m your son not your fucking therapist, I’m not the one you should be talking to you about your father molesting you, that’s what therapists are for and psychiatrists, not sons)
   After she was done speaking she kept crying.
   I felt sorry for her. And hated her.
   That seemed to be my general reaction toward my mother throughout my childhood—pity and revulsion.
   Perhaps it was because she was the first woman I ever loved and she broke my heart clean through. The sort of original heartbreak that was impossible to get over or wholly recover from. Perhaps what I’m saying is just a bunch of tragic Greek bullshit mixed in with psycho-babble so I can keep myself quarantined in a state of epic self-importance, an isolation chamber of my own making. Who knows?
   What I do know is that I got up and left her there crying. I had nothing to offer her in that moment. Every battle my mother had fought I had fought too. In my own small, silent, distant way. Not this time. I refused to dive into the wreckage of my mother’s incest. The vagrant emptiness of my mother’s landscape was a void in which I didn’t want to get swallowed.
   I remember going into my room and lying down on my bed and seething. I needed someone to blame and scapegoated John Bradshaw. I directed all my scorn, fury and contempt at John Bradshaw, as if he were the one who had molested my mother, he the white devil who had planted seeds of shame.
   My mother didn’t mention the incest again, nor did I.
   When she killed herself two weeks later, I imagined that the past had risen, like a dark insurmountable tide, and drowned her.
   I promised myself I would never ever let the same thing happen to me.
   At all costs I would beat the past, even if it meant sacrificing a vital part of me to small, vicious gods.
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Illuminate

20180107_163102

Illuminated manuscript,
The Sun Also Sets,
spontaneously authored
by the divine hand
of light’s play on wall.
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Tendering Anya

Anya and I started making out. It went on for a long, tangled while. I ventured to Anya’s breasts, smoothing my hands over them through her shirt. Then my hands went under her shirt and I was in exciting, unfamiliar territory. My fingers explored the breast-sculpted fabric of her bra. I tried to unclasp the back of Anya’s bra while maintaining kiss-contact with her mouth, like I had seen men do in the movies, but I wasn’t skilled enough and my clumsy attempt at multi-tasking met failure.
 Anya took the initiative and unclasped her bra while continuing to kiss me. She obviously possessed more cinematic grace than I did. Once her bra was off I lifted her shirt over her head and tossed it to the side, with what I imagined was a small measure of cinematic grace.
My mouth naturally gravitated toward Anya’s breasts, specifically targeting the nipples. I kissed and sucked what felt like pebbly buttons or rubbery pellets. My hunger for Anya’s breasts was commensurate with the sound of Anya’s desire. The louder and more intensely she moaned, the greater my feeding frenzy. I rubbed my eyes and nose and mouth and chin against the tender geography of her breasts. As a child I hadn’t been breast-fed, and wondered if something innate and primal was kicking in, some long forestalled urge and yearning.
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Young Forever

Anya and I had almost three weeks. The flirt and tease of a young forever.
It felt good to be with Anya in this new way. We were no longer ourselves, we were ourselves as a couple, this third and wholly original thing. I was her boyfriend, she was my girlfriend. We had titles. It was like something out of a sitcom.
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Boneyard

Sometimes you have to walk through the boneyard,
in order to reach the garden.
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Monster

Fiction is a monster.
It demands, it consumes. It is a glutton. Enough is never enough.
It won’t be satisfied until the unreal becomes utterly real, beyond real. Its sole desire is to usurp reality, to surpass it.
It basks in the impossible.
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Night-Thistles

I could feel the music of a slow future dying inside me.
And the past very much alive, like shimmering beatific flowers, like luscious night-thistles.
The past is a changeable feast.
Except it is a feast that eats and eats and eats. It consumes more than it yields.
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