Arc

lust
It is the mouth
birthing a blood-new kiss
that begs gravity’s pardon
and raises lips
to an impossible arc.
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The Writing Life

Pen, referencing a glossary of soul,
scratches out excess
to clarify Eternity,
finger-holds, tenuous at best,
dignify the mount of a marvelously
impossible task.
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White Bird

She, full of secret pines,
shadow-limbed beneath a pale disc
of winter sun, waltzing solo
in snow-caked hills,
blood-red quill tucked behind
her left ear, just in case
the urge to climb spires
and trace spheres via
a fierce run of words
takes hold, at first her pinky
going sick, then the rest of her
digits catching fever, raising
her lips to the climate of praise
and hymn, her voice
a white bird winging its way home.
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Broken Land

Br. Land Cover
My first novel, Broken Land, a Brooklyn Tale, which was named Underground Book Reviews Book of the Year (2014), has officially been re-released. Available in paperback and digital editions. Click here to buy.
ABOUT: A spectral, existential noir set against the aging irons of Coney Island and old guard lions of hip hop and silent film, Broken Land, a Brooklyn Tale tracks the singular odyssey of would-be sleuth and soon-to-be wordsmith, Salvatore Massimo Lunezzi. Prompted by an enigmatic phone call from a writer-friend claiming to be dead, Lunezzi launches an investigation that leads him to Ghostwriters, Inc., a company selling inspiration to struggling writers through the medium of “ghosting.” From Buster Keaton to Arthur Rimbaud, a boozy and brilliant dwarf to an enchanting femme fatale, Lunezzi is drawn deeper and deeper into the soul of story where fiction and reality inevitably converge.
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Winter Adagio

Nightwalk in a small town.
Moonbleached adobe
set against
the snowglobular shakedown
of flakes,
as if dandruff
from the itchy shaved scalp
of God
was falling,
a phosphate rhapsody.
Along the road,
mudskinned snowdrifts,
like albino coal-miners, crouching,
or dispossessed humps
banking the puddles
of bootsuck slush.
Not even nine,
the streets empty, and the silence,
tracked to easy on the eyes
lamplight amber,
buries itself
in deep pockets
and folds.
Suddenly, a feeling takes hold,
and I am convinced that I am
the last living creature on earth,
a soloist
treading
a stark open womb,
Winter’s milk-pink voice,
an elliptical hush,
birthing softly an ode
to its sometimes love,
so soon departed.

 

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First Love, Winter

Boy and girl, sledding
tongues, no words—
Winter, gloves off.
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Mary

  11703359_948987068488218_85568968427725313_n
   It was a scorcher. One of those ovenbake summer days where you feel like you’re huffing fur.
   I had decided to take a stroll around the neighborhood, and re-acclimate myself.
   As I walked down the block my fingers, Pavlovian in religious memory, signed the cross every time I passed a Mary. Like a recursive pop art icon, she featured in just about every garden or yard—Mary, with her mantle and shawl, her grace-bearing arms, keeping pious vigil over the entire block.
   In my younger angrier days, even after I had renounced and scorned my Catholic background and its leading man, Jesus, I never turned against Mary. I always had a spiritual thing for her. Perhaps it was the mantle and shawl. Perhaps it was the grace-bearing arms that seemed a runway toward lighted enclosure. Perhaps it was those doleful eyes that pierced your heart if you stared into them for too long. In that respect, Mary was like the sun. Except staring at the sun would make you dizzy and see dark spots and potentially go blind, while staring into Mary’s eyes hurt in a different way. They made you feel human. Ashamedly human.
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Winter, a Love Story

Winter’s brides,
wearing long white scarves of sleet and song,
touching pale sky to blue lips,
breathing memory and frost;
their sorrow
and spectral want
grows hands
 that enclose me, a robust crush,
matrimonial in its grip,
until I am no more than a whiff of air,
and then, not even that, a traceless speck
unremembered to light,
and how it falls.
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Zuzu’s Petals

 

A Wonderful Father

A father’s pocket,
containing secret petals—
the meaning of love.
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Claim for the Meek

I do not want to see
the face of God.
I want to see her mask,
where
and for whom it cracked,
the causal history of lines and fissures;
want to trace,
with blind mute innocence,
the light quartered and drawn
in Braille, its grooves holding,
without strain or regret,
Mercy’s hidden inheritance.
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