From the series, Japan Poems.
We enter forests
at the liminal risk
of time lost
to the vagrancies of dreaming
and silence of choir–
Engendered by echoes
and bated tense
we move on
at the mercy
of mirrorless haunt.

From the series, Japan Poems.
We enter forests
at the liminal risk
of time lost
to the vagrancies of dreaming
and silence of choir–
Engendered by echoes
and bated tense
we move on
at the mercy
of mirrorless haunt.

From the series, Japan Poems
At the rooted center
and trembling wake
of this elegant
haunted universe
symmetry and chorus
call upon us intimately
as first and last witnesses
emptying out
to the grief and cherish
of every taken breath
immeasurably spent.

From the series, Japan Poems.
In the shadow-stained haunt
beneath the stone bridge
a pair of empty rowboats
have gently digressed
and gone adrift
from merrily merrily merrily
to the edges of solitude
mirroring the span and proof
that life is but a dream.

From the series, Japan Poems.
Where the moss grows wilder,
clamoring to efface or colonize,
or perhaps model a seasonable fashion makeover
to the stone deity lotus-locked in stunning repose,
who long since
ceded his material crown
to the menial grace of Time’s scalpel,
with silence sounding favorably
in due course.

From the series, Japan Poems.
Side by side,
farmers reigning symmetry
in repose–
The sky, blue to the taste,
with chalky traces of cloud
powdering the empty course–
Images of the floating world
persist in material means
and long takes reaped.

From the series, Japan Poems.
We are here, but briefly,
finite exhales
threaded to infinite digressions,
nowhere
and
now here
minding a slip of the tongue,
a merciful spell of passage
shedding lightly
to no known ends.

From the series, Japan Poems.
Here,
a plot of overgrown grass
and conjugal motives–
A desirously bowing limb
decked out in pink and green,
caressing the time-darkened stone
of one who has passed from now
to now-again…
The enduring portrait of a love story,
without witnesesses,
ministered by the migrating wind.

From the series, Japan Poems.
A most gorgeous, delicate, tenuous
tenor of web,
embroidered with translucent beads
of morning-cut rain,
this the ephemeral lens
through which to view a landscape, a scene,
quarter-notes of a dream,
or dreaming itself pinned to a plot of gauze–
We bow down, emulating chorus, and peer closer.
A procession moves in whispers, in miniature.
A tribute remembers itself to the praise of your vision
before it what was told what or how to see,
your vision a roving vagrant
and guest among the world’s briefest exhales
and most generous feasts for the senses.

From the series, Japan Poems.
Out of the world’s
slow unseen turning,
a darkly candid limb
photobombs the dead,
en route to heaven’s
extended mouth of silence–
The living, below,
crossing gravely their own secret vigils,
never witness the lancing jazz
of what passes, in favor,
to sublimity without end.

From the series, Japan Poems.
The sign in the window
read Slow Coffee
and when you went inside
and found out the story
of the owner
an artist and former architect
who had a brain stroke
he explained that this was
not Starbucks
he was disabled
and it took him time
to prepare the coffee
it was slow coffee
and when it came out
and I tasted it for the first time
slow coffee became an instant favorite
a strong simple brew
assured of its place
among the bubbling
chaos of the everyday.
