Forgotten Temple

From the series, Japan Poems.

Moss-carpeted

stone steps

leading up to

the forgotten temple,

fewer and fewer guests

paying their respects

to these hallowed grounds,

a song of stately decay,

of bones and overgrown grass,

a rusted bell tolling absence

to the fount of prevailing silence—

Do forgotten temples

die from loneliness

or find themselves ennobled

by the ants carrying the sun

on their backs,

the stones conceiving immaculate whispers,

the trees bending down

to eavesdrop on the worms

itching for rain—

what exactly

do we mean

by keeping company?

The quiet life teems

beyond the flagged limits

of loneliness

or its mortally wrought concessions.

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Moon River

From the series, Japan Poems.

To engage

the intimacy

of distance

one must attend

from within

the agency of absence

to sensual contact.

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Portrait in Red

From the series, Japan Poems.

In the hushed expectant stillness of red,

the wall waited for the day

it would no longer have to hold the girl back

or up, waited patiently for blue to pick up

where she left off to become the haughty moon

in the motherless sky.

Some curses last long, and longer still,

blurring boundaries bodiless to the touch—

the girl had had enough,

her infinity a troubling shell of itself,

a plaited trembling.

The girl’s secret assassins knew this well

and truces were out of the question.

In the smallest hours of waiting

to no end

the wall’s pressure

inevitably forced the girl

to break into a thousand small dark shrieking birds,

constituents of a maze now resolving itself,

with each bird bearing a piece of the girl’s lost name,

unlettered, fast-moving, placeless

in its origins

and spacious unbecoming.  

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Web

From the series, Japan Poems.

We, lucent beads of rain,

clinging indefinitely to a spider’s web—

the climate of ephemera.

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Cell

From the series, Japan Poems.

In the loneliness of night

she stares at her cell phone

thinking about her next customer

not thinking about them at all

numb

wondering about her high school friends

what they are doing right now

the ways in which they would judge her

the cold clear haunt

of who or what she had left behind

rising up as a ghost

possessed by glaring vacancies

motel signs advertising

occupancies for least tender

trysts with oblivion

the world burns without ever stopping

no one told her this

in the middle of almost wondering

about something new something different

she is interrupted by a man’s voice

asking how much.

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Process

One of my most sweetly savored pleasures: a freshly printed manuscript.
Completed at the Casa de Currier retreat (May 2023).

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Drama Notebook

Seven of my original children’s plays–The Shadow of Peter Pan, The Little Prince in Egypt, The Myth of Demeter and Persephone Revisited, Mythology Mash-Up, the Nutcracker in a Flash, Aesop Remixed, and Benchmark–are now available through Drama Notebook.
Drama Notebook is a leading resource of royalty-free plays for schools. Ideal for drama teachers, classroom teachers, after-school professionals, theatre companies, and parent volunteers worldwide.
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Cowpunk

Another track from the jukebox catalog of None So Distant.

COWPUNK
Last night you set my quizzical pompadour on fire. Tonight, baby, I’m yours, behind the shed, all slangy and lonesome, in the needle’s eye of a hell-bellied storm.

We are out here on all fours panting in the sun the bleary merciless maraschino sun burning us. It has been a long while one of those spells that feels foreverish out here in these fields unseen dreaming of god knows what. We are permanently scarred. Some of us suggested we become a group that goes by the name Permanently Scarred maybe a band except none of us sing or play an instrument. I’d say we are disembodied voices except we are on all fours with the sun burning us so something like bodies like skin must be our lot and inheritance. Knowing the void answerless you’d think we’d stop asking questions but we don’t What’s for dinner Where’s the moon Did we do something to deserve this. We ask answerless and listen hoping dreamless. You could call us a sorry bunch but then again not knowing whether finite or infinite there is nothing to assess no one to blame. There’s just us on all fours the sun burning unrelenting. If we decide to call ourselves Permanently Scarred maybe one of us will learn to sing so we can earn our name. It’s either that or absolute silence which none of us have yet tried.

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Bluegrass

Music plays a significant role in both the construction and tone of None So Distant, with one of the sections, titled Jukebox, functioning as a mythical and conceptual music catalog. Below is one of the “songs” from Jukebox.

BLUEGRASS
Offbeat lonesome roads articulating the backbones and weary tremolos of spilled pilgrims.

We recall fondly. We recollect. The good old days in which we titled windmills redolently and rode clanging dusty boxcars across the glaring horizontal spread of america. What a lay we said hitching up our pants sticking our peckers into every gopher hole and indian eardrum we could wrestle or manage. The good old days an unrolling panoramic canvas of america painted over with screaming reds graying blues mudpacked browns other colors running together like luxuries found lost. We posed as stiff hipped sheriffs marshaling laws to frontiers unexplored my god we were real artists then painting with the light just right to conceal any shadows unwanted creeping across borders.
From beyond history I sit here now in this abandoned boxcar a tramp with torn baggy trousers too tight calico vest dustcaked bowler writing songs no one will ever sing or listen to but that’s fine just fine. A train trackless running outside of time is concerned solely with mythology. Mythology in this case being the present moment expanded upon infinitely within the mantling of lore.

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Paris Lit Up

Grateful to have had three excerpts from None So Distant published on Paris Lit Up. Story, All Fours, and Lore and Order can be read here.
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