Not Enough

Not Enough came out of me like a homuncular chunk of greasy green cheese, oozing and bubbling pus that hissed and wheezed. Macro-snot meets goblin. I was taken aback. This had come out of me? How? Where? This had been inside me? How? Where? Seeing Not Enough, resting in its glop-puddle, less than a foot away from me, gave me reason to pause, speculate, bemoan, lament, puzzle, etc, as many moods and tones gripped me all at once, resulting in doped and fuzzy blankness. I had never imagined my sense and feeling of Not Enough as a physical entity, yet there it undeniably was, the remnants of existential puke. The bloblike creature was in the throes of a rhythmical pulsing and writhing that brought to mind agitated water. The rhythm of grief exposed to air and light. And the sound of this rhythm was like jelly being spread on paper in syncopated cadence.

You are Not Enough aren’t you, I said to the thing. The creature was mouthless, but words came from somewhere: I don’t know, am I?

Its mouthlessness didn’t stop it from grinning, that is I could sense a grin rending a patch of air between us, as if an invisible pressure distended into something grin-like, and from this I concluded that Not Enough had a sense of humor, sardonic for sure.

Why are you here, outside me? How are you here?

Didn’t you want to be rid of me, came the response. The words were somehow clear and fuzzy all at once. And neutral in the center.

You always dreamed of being enough, well now, with me out of the picture, or out of your inner, you can experience that. Think of me…

(here a pause, and if a mouth a tongue might have clucked, if eyebrows a quizzical arch might have raised)

Think of me as a tapeworm that has never allowed you to get full. I consumed everything you ate and left you perpetually hungry. It’s not fun to walk around with an empty feeling, is it? Now you will be able to eat and get full.

I was surprised by my next question, which felt sincere and tinged with melancholy: Where will you go?

I’m not sure. Maybe find another host. Maybe sink into the earth. Maybe take up piano lessons. I’m kidding about the piano lessons.

Despite the creature’s lack of eyes, a wink formed somewhere, or registered winkishly in my expanded field of perception.

After that, thick yellow gasses, rusty-mustard in tone, hissed their way, as if out of ventricles or organ pipes, from Not Enough and enveloped it. Once the smoke cleared, not enough was gone. Just a moist oval splotch where it had been.

I stared at the oval, at what was not there. For years I had wondered what my life would be like if Not Enough were not part of it, part of me, and how it had influential subliminal sway over every decision, action, motive, and so on. In many respects Not Enough had spurred me on, had driven me. Gurus could recite to me—You are enough—girlfriends would reassure—This is enough—but none of those claims ever superseded or usurped Not Enough’s crow-caw and murmurings—you’re not enough, this is not enough, it will never be enough.

The tapeworm was gone. Outed. I would be able to eat and get full. I was absolutely terrified. And wondered where motivation would come from, or if it would come at all. I had been abandoned. A part of me wanted to scream—Please, Not Enough, come back!

Could I go on without Not Enough gnawing at me, lashing me forward? I stared for a long time at the oval splotch where Not Ehad been. It was a mirror worth referring to.

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Freight

Red notebooks. Blue. Black. Yellow. Never green. I don’t know why not green, maybe some autistic glitch or allergy. Just never green. Over thirty years’ worth of notebooks, in which sketches and impressions have been dutifully registered, recorded, preserved. Mind-breaths capsuled and contained, an ongoing play sans curtains or stage. Manic mental needlepoint continuously sketching spates and rivets of time from thin restless air. Hordes and hordes of circular messages, returned to a sender who always sends again. Battered notebooks packed into a valise. The valise doesn’t exist. I just enjoying saying and writing the word valise, I like to imagine this valise in which battered and bruised notebooks are stored, it is effect to the cause of me heading down to that station where I will wait for that train which never arrives, that will take me to that place I will never reach. Sometimes the valise is battered too. And heart-shaped. Sometimes it is maroon. Never green.

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Us

There is something bluntly parenthetical

about the ghosts which inhabit memory.

And become us,

if only in pronouns.

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Turning of the Screw

Memory as defiant neverland

where cryogeny is the norm

and no one grows up

only inward.

We bore into ourselves, screws to a tease.

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Maybe Next Time

I write as if someone is chasing me. As if I am being stalked. Or running out of time. Since childhood I have written this way, with a sense of heightened and red-hot urgency. There is someone or something behind me, giving chase. I have to keep going, or else. Also, there is someone or something ahead of me, that I am trying to catch, but cannot. I imagine these are variations of me, different iterations with different needs and wants. I am the pursuer and the pursued. The possessor and the possessed. The dog chasing its own tail, the fool shadowing an invented moon, or a game of futility with me fearing the one chasing me will eventually get me, while simultaneously fearing the one being chased will never be caught. There are no others in this equation. This is an existential loop of masturbatory exercise, or an exorcism with no devils to purge or let.

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Torchlight

She turned longing

into a form of religion,

effect to the cause

of a martyr raised

to exact scorch

from quenchless tender.

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Hot Coals

Firespeak sing n swing.

This is a mode, a chariot and vehicle of expression.

Bardic in its yawping

and hot rod in its bebop turbine.

Whitman revved it.

Coltrane. Kerouac. Ginserg. Bird.

Riot, blues and jazz

rolled into self-sung nuptials.

When I was younger, I listed this

as one way of expressing,

one way of channeling.

A slant of expressive self to slip into,

like religion or a space suit,

and give expression its liberated due

with specific flair and signature.

I had four main forms, still do:

Firespeak sing n swing. Blue and Gray. Home. Savage Jest.

These four formed auspices, or ribs for an umbrellaic spread.

Firespeak sing n swing

is equal parts troubadour and Hierophant,

reciting with zeal and fury

much bigger than everyday rounds of expression,

character, being.

It’s one way of saying—

Come firewalk with me.

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Window Dressing

Out the window

worlds come in,

flashing in doses and quarters

 and nickels and slices

and geometrical swaths.

Out the window is wealthy in examples and suggestions.

When looking out the window, when sailing,

we become a pair of eyes multiplied by siege—

we see we see we see we see—

and something essential in us sinks joyously

into the mud and sky simultaneously.

Out the window is an invitation extended,

taking you wherever whenever,

the tracking of time aligned with vision.

It is distance made intimate.

Out the window is an instant painting always changing.

Out the window, I saw myself looking in.

Outside of me never existed.

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Fool’s Play

To take the plunge is, or can be,

an act of willful trespass,

courting the Fool as you merge

with his flagged archetype while

plunging down into a ravine,

your life tomorrowless in its abyss

and calling.

The plunge is synonymous with fall,

which midwifes you into the realm of the mythical

and sublime.

Except someone needs to record and interpret

you-falling as someone and something mythical,

a metaphysical second is required,

a phantom scribe—

the plunge as experienced by you,

and the other as recording the plunge

experienced by you as mythical passage.

Both things

and then some

are true.

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Post-Scriptive

Something about the air of absence,

its titillation and gravity.

Ghosts are highly seductive when revealing their apparent lack.

Beck sang about gravity shackles going wild.

Genius is childhood endowed with virile maturity.

Baudelaire said that. Or something to that effect.

Everything is, in its truest essence, something to that effect,

or a P.S. turning the page

to become the header

in someone else’s text.

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