Henry Miller

henrymiller1

Some men rattle their chains and wonder, some sing them.
Then there are others who spraypaint their chains rainbow siege
and dance a jig like a peacock on fire, and when someone asks
Isn’t it hard to dance around with those chains weighing you down,
the man laughs heartily and responds—What chains, my dear lad,
these are feathers. Listen to the way they jangle and clink when I dance,
have you ever heard feathers that sound like that? Miraculous and unusual, yes?
You, Henry Miller, were one of those men.
You turned wrought-iron links, Brooklyn-made, into loafer’s foam,
into dreamfaring plumage, unabashed in its frisson and vainglory,
smeared bottom’s up in in deep semen envy, angels spit, and stolen honey.
Vagabondage was your claim, but not your master.
Though you did have many teachers—bilious clowns, crowded streets,
torn trousers, children’s capered faces, gateless barbarians,
your mother’s frigid ruler (and how you learned the only thing
worth measuring was love, that which belonged to the immeasurable).
A lusty little scamp at heart, eyes unpopping buttons
and sailing seas of skirts in parks, you were literature’s answer to Charlie Chaplin,
with an unzipped mouth and cracked tower of seismic songs to yawp,
the world needed a Henry Miller, because you said so,
and in cement that remained eternally wet, you signed your name
and sang, Whitmanesque, of yourself, again and again and again,
an explodingly insistent echo,
and the sincerest of forgeries,
because, for those dwelling between lines,
a signature verifying an identity—
I am he, he is me, he is he, I am I, etc,
never does true justice
to the multitudinous at work
in the playing of one’s self as instrument
upon which God’s deepwelling nothingness
meets and mates with one’s youthingness,
and from there, bang.
Just bang and wow and let’s make radical inscrutable love,
music, art, whatever.
You, “Henry Miller,” wink-wink,
gave us your pulsing timepiece of whatever,
and you, Henry Miller, as my Brooklyn soul-chum and compatriot,
separated by age but not spirit,
granted me amnesty
and helped me to unlock my own
bang, wow, and whatever
resounding yes
whatever
yes
yes.
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About John Biscello

Originally from Brooklyn, NY, writer, poet, spoken word performer, and playwright, John Biscello now lives in Taos, New Mexico. He is the author of two novels: Broken Land, a Brooklyn Tale and Raking the Dust, and a collection of stories, Freeze Tag. His fiction and poetry has appeared in: Art Times, nthposition, The Wanderlust Review, Ophelia Street, Caper, Polyphony, Dilate, Militant Roger, Chokecherries, Farmhouse, BENT, The 555 Collective, Instigator, Brass Sopaipilla, The Iconoclast, Adobe Walls, Kansas City Voices, and the Tishman Review. His blog--Notes of an Urban Stray--can be read at johnbiscello.blogspot.com. Broken Land, a Brooklyn Tale was named Underground Book Reviews 2014 Book of the Year.
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23 Responses to Henry Miller

  1. 😍
    And I love all the ingness

    Like

  2. I love the granted me amnesty line too

    Like

  3. Could also call it Eternal Heart On, but decided to forego using that title, since I used Heart On once before in one of our prior verbal swings, then realized there’s a good chance you might not remember that I said Heart On (and how you reacted coy-playfully to the pun), so, yea, 80s cheesy pop tune with a salacious backbeat: Eternal Heart On 🙂

    Liked by 1 person

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