Near to Edges

Words meant to be read aloud inside your head. A paradox yes but true. To be read aloud inside your head could be the preface the header the suggestion accompanying the texts. In this respect you may hear the music. The music being the lasting proof. The words are auxiliary components. Honorable appendages. Everything bears its own dignity. How to cooperate how to merge how to mate harmoniously with the dignities of all aspects corresponding. This the question the quest the domain unmapped. This the homage to craft. Words to be read aloud inside your head to become music felt and heard. Felt resonances being one of the keys. To feelize the intent the song pulsing throbbing beneath the skin giving birth to the need the cast of words.  Correspondences between worlds between voices unseen presences felt. Feelizations. Words within sentences hold hands becoming family while accumulating intensities shades nuances to foster complexion. Every sentence a song unto itself favored within the broader context of symphony of moving parts asked to keep still while moving on forever. Motion and stasis the best of friends. Tensions circulating inside magnetic jazz thatting this way and thissing that. Music is proof lasting. The course is play. Stories carry the heart and void of forever within their endless voices. Words to be read aloud inside your head by warm lamplight. Never directives only suggestions. Only subjective reinterpretations remixed with verve.    

About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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