Fins

The men I have given myself to are scorching a map onto my skin. I’d say it was a map of the underworld, but I don’t know if that’s altogether true. It seems too dramatic, too much like fantasy. And yet … when I imagine the map and the industry of fingerprints which have gone into making it, I cannot find myself there. I am a paper town on the edge of a necessary nowhere, a tactic and declaration meant to divert infringement and violation. When I was younger, much younger than I am now, I would look in the mirror at the bones in my upper back sticking out like sharks fins, and I’d imagine they were angelwings waiting to announce themselves and break through my skin. This didn’t happen. I filled out and the sharks fins receded into the expanded territory of flesh, into my growth. Now my body has become night-Braille for eyeless men. I am a far cry from angelwings. These things children think and go on thinking living inside you like a depleted chorus of winter crickets.

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About John Biscello

Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001. He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
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