His name is Morph because he is always changing.
Her name is Morph because … see above.
We are all changelings, all in a state of perpetual morph, that word clipped and pruned from metamorphosis. Morph as in we are trains shuttling through tunnels and across countrysides and regions, the scenery always changing—with each changed scene, with every revolved moment we becoming new, we morphing, we animation never suspended, it is a fusion, an interplay, a jitterbugging dance between cells and atoms, patterns and mosaics emerging, plates shifting. We cannot not be revolutionary. It is not possible. Morph is written into our genes, inscribed as eternal signature.
About John Biscello
Originally from Brooklyn, NY, writer, poet, performer, and playwright, John Biscello, has lived in the high-desert grunge-wonderland of Taos, New Mexico since 2001.
He is the author of four novels, Broken Land, a Brooklyn Tale, Raking the Dust, Nocturne Variations, and No Man’s Brooklyn; a collection of stories, Freeze Tag, two poetry collections, Arclight and Moonglow on Mercy Street; and a fable, The Jackdaw and the Doll, illustrated by Izumi Yokoyama. He also adapted classic fables, which were paired with the vintage illustrations of artist, Paul Bransom, for the collection: Once Upon a Time, Classic Fables Reimagined. His produced, full-length plays include: LOBSTERS ON ICE, ADAGIO FOR STRAYS, THE BEST MEDICINE, ZEITGEIST, U.S.A., and WEREWOLVES DON’T WALTZ.
John Biscello 